Database / Artworks
Artworks

Couple Beside Tree
Raymond Lafage
Pen and brown ink and brush and brown wash, with touches of red chalk, over graphite, on cream laid paper, perimeter mounted on tan card · 1675
Art Institute of Chicago

Study of Bucephalus for the Relief "Alexander and Diogenes"
Pierre Puget
Red chalk, heightened with touches of white chalk, on tan laid paper, laid down on tan laminate board · 1675
Art Institute of Chicago

Academic Male Nude in Semi-Reclining Position (recto and verso)
Louis de Boullongne, the younger
Black chalk, heightened with touches of white chalk (recto and verso), on blue laid paper · 1675
Art Institute of Chicago

Birds on a Tree with Fruit and Autumn Foliage
Hong
Hanging scroll, ink and colors on silk · 1675
Art Institute of Chicago

Bedcover
Indo-Portuguese
Linen, plain weave; quilted embroidered with silk floss in darning and back stitches; original silk fringe and tassels · 1675
Art Institute of Chicago

Study of Bucephalus for the Relief "Alexander and Diogenes"
Pierre Puget
Red chalk, heightened with touches of white chalk, on tan laid paper, laid down on tan laminate board · 1675
Art Institute of Chicago

Gemert Castle
Valentin Klotz
Pen and ink, with brush and wash, on ivory laid paper · 1675
Art Institute of Chicago

Pair of Candlesticks
Francesco Bertos
Gilt bronze · 1675
Art Institute of Chicago

Study for Detail: Saint Veronica
Domenico Piola
Brush and brown ink, heightened with white chalk, over black chalk, on gray laid paper · 1675
Art Institute of Chicago

Urn
Talavera Poblana
Tin-glazed earthenware · 1675
Art Institute of Chicago

Autumn Maples with Poem Slips
Tosa Mitsuoki
Six-panel screen (one of pair); Ink, colors, gold leaf, and gold powder on silk · 1675
Art Institute of Chicago

Fragment (For a Curtain)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in surface satin stitches; laid work and couching · 1675
Art Institute of Chicago

Italianate Coastal Scene with Fishermen, Encampment (recto); River Estuary (verso)
Pietro da Cortona
Brush and black and gray wash, with touches of black gouache, over black chalk (recto), and sepia and wash (verso), on cream laid paper · 1675
Art Institute of Chicago

Pillow Sham (Unfinished)
Jane Bolas Vaughan
Linen, plain weave; underlaid with cotton, plain weave; embroidered with silk · 1675
Art Institute of Chicago

Two Men Holding Boulder over Prostrate Man with Manacles
Victor Honoré Janssens
Black chalk, with pen and brown ink, on tan laid paper, laid down on card · 1675
Art Institute of Chicago

Cow
Philipp Peter Roos
Black chalk on ivory laid paper laid down on ivory laid paper · 1675
Art Institute of Chicago

Shepherdess and Sheep
Philipp Peter Roos
Graphite and black chalk with brush and black and gray wash, on ivory laid paper · 1675
Art Institute of Chicago

Portrait of a Nobleman
William Gibson
Watercolor heightened with gum arabic on paper · 1675
Art Institute of Chicago

Barber's Bowl
William Allen
Pewter · 1675
Art Institute of Chicago

Couple Beside Tree
Raymond de Lafage
Pen and brown ink and brush and brown wash, with touches of red chalk, over graphite, on cream laid paper, perimeter mounted on tan card · 1675
Art Institute of Chicago

Orpheus Playing the Lyre to Hades and Persephone, from Orpheus and Eurydice or The Metamorphoses
Wauters Workshop
Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm
Weft: Count: varies from 18 to 40 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.4–1.1 mm; silk: Z-ply of two S-twisted elements; diameters: 0.4–0.8 mm · 1675
Art Institute of Chicago

Interior of the Oude Kerk, Delft
Emanuel de Witte
Oil on panel · 1675
Art Institute of Chicago

Roundel with Justice and Prudence
Jan Baptist Weenix
Pen and brown ink, with brush and lead white, on blue tinted wove paper, laid down on card · 1675
Art Institute of Chicago

Cupid and Psyche
Anthoni Schoonjans
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on tan laid paper · 1675
Art Institute of Chicago