Database / Artworks
Artworks
The Deposition from the Cross
Domenico Campagnola, Italian
Pen and brown ink · 1537
The Metropolitan Museum of Art
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper · 1537
The Metropolitan Museum of Art
Mystic Marriage of St. Catherine
Marco Angolo del Moro
1537
The Metropolitan Museum of Art
Pietro Bacci Aretino (1492–1556)
Leone Leoni
Bronze · 1537
The Metropolitan Museum of Art
Katharina Merian
Hans Brosamer
Oil, gold, and white metal on linden · 1536
The Metropolitan Museum of Art
Henry II (1519–1559), King of France
François Clouet
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Derick Berck of Cologne
Holbein, Hans, the younger
Oil on canvas, transferred from wood · 1536
The Metropolitan Museum of Art
Andrea Doria of Genoa (1468–1560)
Leone Leoni
Bronze · 1536
The Metropolitan Museum of Art
Guillaume Budé (1467–1540)
Jean Clouet
oil paint · 1536
The Metropolitan Museum of Art
Fame
Luca Cambiaso
Pen and brown ink, brown wash, over traces of black chalk. · 1536
The Metropolitan Museum of Art
Two Studies of a Seated Male Nude
Pontormo
Black chalk · 1536
The Metropolitan Museum of Art
The Supper at Emmaus
Bonifacio
Brush and brown ink, brown wash, heightened with white, over black chalk underwriting, on blue paper. · 1536
The Metropolitan Museum of Art
Saltcellar (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Madonna and Child with a Bird
Diana Scultori
Engraving · 1535
The Metropolitan Museum of Art
Mary Magdalen carried to Heaven
Mignon
Etching · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Saint Roch
Battista Angolo del Moro
Etching · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Term in the Form of an Old Man Warming His Hands
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Term in the Form of a Woman with Musical Instrument
Mignon
Etching; first state of two · 1535
The Metropolitan Museum of Art
Saint Philip
Domenico Beccafumi
Chiaroscuro woodcut (key block) · 1535
The Metropolitan Museum of Art
Design for an Ornamental Panel with Rinceaux, Satyrs, Putti, Monsters and a Human Head
Giulio Campi
Pen and brown ink, brush and brown wash on brown ink washed paper, highlighted with white gouache · 1535
The Metropolitan Museum of Art