Database / Artworks
Artworks
Mars and Venus Trapped by Vulcan
Guglielmo della Porta
Gilt bronze · 1585
The Metropolitan Museum of Art
The Holy Women at the Sepulchre
Sisto Badalocchio
Pen and brown ink, brush and brown wash, highlighted with white · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Globular vase
Domenico Veneziano
Maiolica (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Agostino Carracci, Italian
Engraving, second state · 1585
The Metropolitan Museum of Art
Saint Jerome
Pieter de Jode I
Engraving · 1585
The Metropolitan Museum of Art
Eurydice Bitten by a Serpent
Hendrick de Clerck
Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink · 1585
The Metropolitan Museum of Art
An Apostle Holding a Book
Francisco Herrera the Elder
Pen and brown ink · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Guglielmo della Porta
Bronze · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
Guido Reni
Etching · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
Portrait of a Woman
Nicholas Hilliard
Vellum laid on card · 1585
The Metropolitan Museum of Art
Standing Angel Brandishing a Sword
Ferraù Fenzoni
Pen and brown ink, brush and brown wash, over black chalk · 1585
The Metropolitan Museum of Art
Ogni cosa vince l'oro
Agostino Carracci
Engraving · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art