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Artworks
Title Page for “Atlas Novus (New Atlas)”
Romeyn de Hooghe
etching and engraving on laid paper · 1700
National Gallery of Art
Standing Man
Romeyn de Hooghe
Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago
Vroedschapspenning van de stad Alkmaar
Romeyn de Hooghe
striking (metalworking) on silver (metal) · 1693
Rijksmuseum
Entrance of William III into The Hague (Inhaling van S.K. Maj. aende Westeynder brug door de E.A. Magistraet van s'Gravenhage / Reception de sa Majesté au pont du Westende) from Bidloo, Inkomste van Koning Willem III
Romeyn de Hooghe
Etching · 1691
The Metropolitan Museum of Art
Entry of His Majesty William III, King of Great Britain, etc., in Holland; or Detailed Descriptions of Everything Related to His Arrival and Sojourn in the Hague and Elsewhere, as Decorations of Honor Were Erected Everywhere (Komste van Zyne Majesteit Willem III, Koning van Groot Britanje, enz. in Holland; ofte Omstandelyke Beschrijving van Alles, Het Welke op des Zelfs Komste en Geduurende Zyn Verblyf, in 's-Graavenhaage en Elders, ten Teeken van Vreugde en Eere, is Opgerecht en Voorgevallen)
Romeyn de Hooghe
Book with sixteen, eleven folded, engravings with etching and letterpress in black on cream laid paper · 1691
Art Institute of Chicago
No Monarchy, No Popery
Romeyn de Hooghe
etching on laid paper · 1690
National Gallery of Art
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
Etching and letterpress · 1689
The Metropolitan Museum of Art
Design for a Broadside on the Persecution of Protestants by Louis XIV (‘Beautiful Constance Dragooned by Harlequin Deodat’)
Romeyn de Hooghe
pen on ink, paper · 1688
Rijksmuseum
Tirannien tegen de Gereformeerden in Vrankrijk
Romeyn de Hooghe
etching on paper · 1686
Rijksmuseum
Uytrecht Herstelt (The Recapture of Utrecht, 1673)
Romeyn de Hooghe
etching with engraving on laid paper · 1674
National Gallery of Art
Allegorie op het herstel van Utrecht, 1673
Romeyn de Hooghe
engraving on paper · 1674
Rijksmuseum
Afbeelding en waarachtigh Verhaal... (Representation of the True Story of Johan de Witt...)
Romeyn de Hooghe
etching and letterpress on laid paper · 1672
National Gallery of Art
Allegory of the River IJ
Romeyn de Hooghe
brush on chalk, ink, paper · 1671
Rijksmuseum
Law of War and Peace
Romeyn de Hooghe
laid paper · 1670
National Gallery of Art
Guerres de Flandres
Romeyn de Hooghe
etching on paper · 1670
Rijksmuseum
Lady and Child
Romeyn de Hooghe
Black chalk, on ivory laid paper, tipped onto cream laid paper · 1665
Art Institute of Chicago
Scene from Dutch History: Supplicants before Ruler
Romeyn de Hooghe
Pen and brown ink, with brush and gray wash, over graphite and traces of white chalk, on ivory laid paper · 1665
Art Institute of Chicago
Qualis vir Talis Oratio
Romeyn de Hooghe
Etching and letterpress · 1660
The Metropolitan Museum of Art
Paye qui Tombe: Die eerst valt betaelt de Speelman, die laest, de Kosten (The Fall of the Country: The First That Falls Pays the Player, the Last the Costs)
Romeyn de Hooghe
Etching and letterpress; second state · 1660
The Metropolitan Museum of Art
Anticurius van Loevesteyn
Romeyn de Hooghe
Etching · 1660
The Metropolitan Museum of Art
Panurge secondé
Romeyn de Hooghe
Etching and letterpress · 1660
The Metropolitan Museum of Art
L'Europe Allarmée
Romeyn de Hooghe
Etching · 1660
The Metropolitan Museum of Art
Peace Conference at Breda
Romeyn de Hooghe
Etching · 1660
The Metropolitan Museum of Art
Raising of Lazarus with Scenes from the Life of Christ
Romeyn de Hooghe
laid paper · 1645
National Gallery of Art