Database / Artworks
Artworks
The Flight into Egypt
Rembrandt van Rijn
etching, drypoint, and engraving on laid paper · 1651
National Gallery of Art
Landscape with a View Toward Haarlem (The Goldweigher's Field)
Rembrandt van Rijn
etching and drypoint on laid paper [counterproof] · 1651
National Gallery of Art
Clement de Jonghe
Rembrandt van Rijn
etching, drypoint and burin on laid paper · 1651
National Gallery of Art
Landscape with a View toward Haarlem (The Goldweigher's Field)
Rembrandt van Rijn
etching and drypoint on laid paper · 1651
National Gallery of Art
Landscape with Trees, Farm Buildings and a Tower
Rembrandt van Rijn
etching and drypoint · 1651
National Gallery of Art
Landscape with Trees, Farm Buildings and a Tower
Rembrandt van Rijn
etching and drypoint · 1651
National Gallery of Art
Landscape with a View toward Haarlem (The Goldweigher's Field)
Rembrandt van Rijn
etching and drypoint on laid paper · 1651
National Gallery of Art
Clement de Jonghe
Rembrandt van Rijn
etching, drypoint and burin on laid paper · 1651
National Gallery of Art
Landscape with a View toward Haarlem (The Goldweigher's Field)
Rembrandt van Rijn
etching and drypoint on laid paper · 1651
National Gallery of Art
Sheet of Studies with the Head of the Artist, a Beggar Man, and Woman and Child
Rembrandt van Rijn
etching · 1651
National Gallery of Art
The Bathers
Rembrandt van Rijn
etching · 1651
National Gallery of Art
The Flight into Egypt: a Night Piece
Rembrandt van Rijn
etching, burin and drypoint · 1651
National Gallery of Art
The Flight into Egypt: a Night Piece
Rembrandt van Rijn
etching, burin and drypoint on yellowish paper · 1651
National Gallery of Art
The Star of the Kings: a Night Piece
Rembrandt van Rijn
etching, with a few touches of drypoint · 1651
National Gallery of Art
Clement de Jonghe
Rembrandt van Rijn
etching, drypoint and burin on laid paper [counterproof] · 1651
National Gallery of Art
Landscape with Trees, Farm Buildings and a Tower
Rembrandt van Rijn
etching and drypoint · 1651
National Gallery of Art
Clement de Jonghe
Rembrandt van Rijn
etching, drypoint and burin on laid paper · 1651
National Gallery of Art
The Blindness of Tobit: the Larger Plate
Rembrandt van Rijn
etching with touches of drypoint · 1651
National Gallery of Art
Clement de Jonghe
Rembrandt van Rijn
etching, drypoint and burin on laid paper · 1651
National Gallery of Art
![Figures on the Anthoniesdijk Entering Houtewael [verso]](https://api.nga.gov/iiif/b4900e7e-af11-4807-9c61-3c00eb68dafe/full/!800,800/0/default.jpg)
Figures on the Anthoniesdijk Entering Houtewael [verso]
Rembrandt van Rijn
reed pen and brown ink on light brown washed laid paper · 1650
National Gallery of Art
![View of Houtewael near the Sint Anthoniespoort [recto]](https://api.nga.gov/iiif/b036da16-4e4f-448d-9afe-2e21f250cb94/full/!800,800/0/default.jpg)
View of Houtewael near the Sint Anthoniespoort [recto]
Rembrandt van Rijn
reed pen and brown ink with gray-brown wash and touches of white on laid paper · 1650
National Gallery of Art
A Landscape with Farm Buildings among Trees
Rembrandt van Rijn
pen and brown ink with brown wash on laid paper · 1650
National Gallery of Art
Landscape with a Milkman
Rembrandt van Rijn
etching and drypoint · 1650
National Gallery of Art
Landscape with Three Gabled Cottages beside a Road
Rembrandt van Rijn
etching and drypoint · 1650
National Gallery of Art