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Artworks

The Avon on the Road to Bexhill
Theodore Roussel
Drypoint in black on cream Japanese paper · 1919
Art Institute of Chicago

Buoyant Sea
Theodore Roussel
Soft ground etching in black on cream Japanese paper · 1919
Art Institute of Chicago

Nine O'Clock A.M.
Theodore Roussel
Drypoint in black on cream wove paper · 1919
Art Institute of Chicago

Trial Plate for Nine O'Clock A.M.
Theodore Roussel
Gelatin plate with incised lines and traces of red ink · 1919
Art Institute of Chicago

Sketch for Bathers, Low Tide
Theodore Roussel
Graphite (recto and verso) on cream wove paper · 1915
Art Institute of Chicago

Sketch for L'Oubilé
Theodore Roussel
Gouache on cream laid paper, discolored to tan · 1915
Art Institute of Chicago

Moonrise in the New Forest
Theodore Roussel
Color aquatint on ivory laid paper · 1914
Art Institute of Chicago

Moonrise in the New Forest
Theodore Roussel
Color aquatint on ivory laid paper · 1914
Art Institute of Chicago

Dawn
Theodore Roussel
Color etching, aquatint, soft ground, and drypoint on ivory wove paper · 1912
Art Institute of Chicago

Figure of Dawn (Dawn: Upper Portion)
Theodore Roussel
Drypoint and aquatint in black and blue on cream Japanese paper · 1912
Art Institute of Chicago

Nymphs Bathing (Dawn: Lower Portion)
Theodore Roussel
Drypoint in black on cream Japanese paper · 1912
Art Institute of Chicago

Summer Night at Abingdon
Theodore Roussel
Aquatint and softground in black on cream wove paper · 1912
Art Institute of Chicago

Summer Night at Abingdon
Theodore Roussel
Color aquatint and softground on ivory wove paper · 1912
Art Institute of Chicago

Dawn
Theodore Roussel
Etching and soft ground in black on cream Japanese paper · 1912
Art Institute of Chicago

Figure of Dawn (Dawn: Upper Portion)
Theodore Roussel
Color etching, drypoint, and aquatint on cream laid paper · 1912
Art Institute of Chicago

Moonrise from the River
Theodore Roussel
Soft ground etching and aquatint in black on ivory laid paper · 1912
Art Institute of Chicago

A Study for the Figure of Dawn (Second Version)
Theodore Roussel
Drypoint, aquatint, and softground etching from three plates in gold on ivory laid paper · 1912
Art Institute of Chicago

A Study for the Face of Dawn
Theodore Roussel
Etching in red-orange on cream laid paper · 1912
Art Institute of Chicago

Moonrise from the River
Theodore Roussel
Soft ground etching and aquatint in black on cream laid paper · 1912
Art Institute of Chicago

A Study for the Face of Dawn
Theodore Roussel
Etching in black on cream Japanese paper · 1912
Art Institute of Chicago

Summer Afternoon, Ventnor
Theodore Roussel
Etching in red-orange on cream laid paper · 1912
Art Institute of Chicago

A Street at Ventnor
Theodore Roussel
Soft ground etching in black, with graphite, on yellow laid paper, impressed onto cream wove paper · 1912
Art Institute of Chicago

Summer Afternoon, Ventnor
Theodore Roussel
Etching in black on thin cream laid paper · 1912
Art Institute of Chicago

A Street at Ventnor
Theodore Roussel
Soft ground etching in brown-black on cream Japanese paper · 1912
Art Institute of Chicago