Database / Artworks
Artworks

Untitled Drawing for Frame Cartouche (Salamander)
Theodore Roussel
Brush and black ink, gold metallic ink, and watercolor on semi-transparent tan wove paper · 1899
Art Institute of Chicago

Untitled Drawing for Frame Cartouche (Plant Motif)
Theodore Roussel
Brush and black ink on semi-transparent tan wove paper · 1899
Art Institute of Chicago

Design for a Frame
Theodore Roussel
Pen and brush and black ink, with graphite and traces of white gouache on semi-transparent yellowish brown wove paper · 1899
Art Institute of Chicago

Mount for The Sea at Bognor
Theodore Roussel
Softground etching, aquatint, lavis and drypoint in yellow-brown metallic, off-white, and blue-gray on ivory laid paper · 1897
Art Institute of Chicago

Stag and Flower Pattern Frame
Theodore Roussel
Etching and soft ground in black, brown and yellow metallic on ivory laid paper · 1897
Art Institute of Chicago

Mount for The Thames, Evening
Theodore Roussel
Aquatint in yellow metallic ink on ivory laid paper · 1897
Art Institute of Chicago

Mount for Anemonies
Theodore Roussel
Softground etching, aquatint, lavis and drypoint in black and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for Summer
Theodore Roussel
Color etching, aquatint, softground, and drypoint on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for Embers Glow
Theodore Roussel
Etching, aquatint, softground, and drypoint in brown and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for The Thames, Evening
Theodore Roussel
Drypoint, aquatint, softground and lavis in yellow metallic and off-white on ivory laid paper · 1897
Art Institute of Chicago

Mount for La Chine
Theodore Roussel
Color etching, aquatint, softground, and drypoint on ivory wove paperboard · 1897
Art Institute of Chicago

The Thames, Evening
Theodore Roussel
Etching and drypoint in black, with plate tone, on cream laid paper · 1897
Art Institute of Chicago

Last Poppies
Theodore Roussel
Etching and softground in black on ivory wove paper · 1897
Art Institute of Chicago

Last Poppies
Theodore Roussel
Mezzotint, etching and softground in dark blackish-brown on cream laid paper · 1897
Art Institute of Chicago

Anemonies
Theodore Roussel
Color etching and aquatint on cream wove paper, tipped onto tan wove paper mount with lavis in black and graphite · 1897
Art Institute of Chicago

Last Poppies
Theodore Roussel
Etching and softground in dark reddish-brown on bluish-ivory laid paper · 1897
Art Institute of Chicago

The Thames, Evening
Theodore Roussel
Etching and drypoint in black, with plate tone, on bluish ivory laid paper · 1897
Art Institute of Chicago

Anemonies
Theodore Roussel
Color etching and aquatint on ivory laid paper · 1897
Art Institute of Chicago

Anemonies
Theodore Roussel
Color etching and aquatint on ivory laid paper · 1897
Art Institute of Chicago

Anemonies
Theodore Roussel
Color etching and aquatint on ivory laid paper · 1897
Art Institute of Chicago

Stag and Flower Pattern Frame (side frame section)
Theodore Roussel
Etching and soft ground in yellow-brown metallic and black on ivory laid paper · 1897
Art Institute of Chicago

Mount for Last Poppies
Theodore Roussel
Drypoint, aquatint, softground and lavis in blue-green and yellow-brown metallic on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for The Sea at Bognor
Theodore Roussel
Softground etching, aquatint, lavis and drypoint in yellow-brown metallic and light brownish red on ivory laid paper · 1897
Art Institute of Chicago

Stag and Flower Pattern Frame (top frame section)
Theodore Roussel
Etching and soft ground in yellow-brown metallic and black on ivory laid paper · 1897
Art Institute of Chicago