Artworks

Jeremiah Dummer

Silver · 1690

Johann Michael Rottmayr

Oil on canvas · 1690

Parnell Mackett

Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690

Johann Michael Rottmayr

Oil on canvas · 1690

Grinling Gibbons

Pen and brown ink, with brush and gray wash, over graphite, on cream laid paper, tipped on buff wove paper · 1690

Pierre Parrocel

Etching on ivory laid paper · 1690

Domenico Mondo

Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper · 1690

Domenico Piola

Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on gray board · 1690

Johann Michael Rottmayr

Oil on canvas · 1690

Pietro Antonio di Pietri

Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper · 1690

Johann Michael Rottmayr

Oil on canvas · 1690

Juan Cristobal

Pen and brown ink, with brush and brown wash, on ivory laid paper, tipped on ivory wove paper · 1690

R.H. Quaytman

Silver · 1690

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

JEAN

Wool and silk, slit and double interlocking tapestry weave · 1688

Jean Baptiste Monnoyer

Wool and silk, slit and double interlocking tapestry weave · 1688

Mercy Mackett

Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688