Database / Artworks
Artworks

Panoafricano
Yonamine
Printed length of plain-weave cotton; both selvages present · 2019
Art Institute of Chicago

Room 31, Hearth, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloth of gold with metallicized cotton, wool felt, cotton string and thread on linen blend · 2019
Art Institute of Chicago

Untitled (Nina Challenge #5)
Amanda Williams
Collage of torn, printed papers on white wove paper · 2019
Art Institute of Chicago

Vessel with Wheat Design
Delores Juanico
Earthenware and slip · 2019
Art Institute of Chicago

Smooth Growth House
Marshall Brown
Wood and plastic model on adjustable steel custom base, with padlock and casters · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

The end of Tweety, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Untitled
Wade Guyton
Epson UltraChrome HDX inkjet on linen · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Fundação Iberê Camargo (Porto Alegre, Brazil), Álvaro Siza
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Capilla del Retiro (Auco, Chile), Undurraga Devés Arquitectos
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Ambiguous Standards of Food: Eggs and Holders
Ambiguous Standards Institute
Beech wood, stryofoam, metalspun eggholders, and various eggs · 2018
Art Institute of Chicago

Seabirds, Cape Point, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago

Drinking Bowl (Mucawa)
Deysi Chango Salazar
Ceramic, pigment, and shinquillu lacquer, possibly from the Brazilian Elemi (Protium heptophyllum) · 2018
Art Institute of Chicago

A Mortal Man
Wardell Milan
Inkjet print, applied charcoal, graphite, gesso, etching ink, and cut-and-pasted paper · 2018
Art Institute of Chicago

JB and Bobby
Nathaniel Mary Quinn
Charcoal, gouache, and soft pastel on coventry vellum paper, cut and collaged onto white wove paper · 2018
Art Institute of Chicago