Database / Artworks
Artworks

Thank You
Tschabalala Self
Acrylic, watercolor, flashe, crayon, colored pencil, oil pastel, pencil, hand-colored canvas, thank you bag, on canvas · 2018
Art Institute of Chicago

B for Bone
Kemang Wa Lehulere
Reconfigured wood from salvaged school desks, porcelain dog, glass bottles with cork tops, sand, paper, ribbon, bone and resin hand · 2018
Art Institute of Chicago

Bury the Corpse Ass Up
Steve Reinke
Color screenprint on white wove paper · 2018
Art Institute of Chicago

Jacqueline Hassink, Unwired
Irma Boom
Book · 2018
Art Institute of Chicago

A Mortal Man
Wardell Milan
Inkjet print, applied charcoal, graphite, gesso, etching ink, and cut-and-pasted paper · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Capilla del Retiro (Auco, Chile), Undurraga Devés Arquitectos
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

The end of Tweety, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Altamira Residence (Rosario, Argentina), Rafael Iglesia
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Mestizo Restaurant (Santiago, Chile), Smiljan Radic
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Ambiguous Standards of Food: Eggs and Holders
Ambiguous Standards Institute
Beech wood, stryofoam, metalspun eggholders, and various eggs · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Smooth Growth House
Marshall Brown
Wood and plastic model on adjustable steel custom base, with padlock and casters · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): 1111 Lincoln Road (Miami, USA), Herzog & de Meuron
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Let Them Enter Dancing and Showing Their Faces: Yeil
Nicholas Galanin
Monotype in black on ivory wove paper · 2018
Art Institute of Chicago

Above Beings & Us
Terran Last Gun, Saakwaynaamah’kaa
Serigraph in colors on paper bag · 2018
Art Institute of Chicago

Seabirds, Cape Point, 2018, from the series Signs of Life
Jo Ractliffe
Gelatin silver print · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): Bloch Building, Nelson-Atkins Museum (Kansas City, USA), Steven Holl Architects and BNIM
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Seven Portraits (Mies Crown Hall Americas Prize, Pin-Up Fall Winter 2014/15 Supplement): The Seattle Central Library (Seattle, USA), OMA and LMN
David Hartt
Archival pigment print mounted to Dibond · 2018
Art Institute of Chicago

Untitled
Wade Guyton
Epson UltraChrome HDX inkjet on linen · 2018
Art Institute of Chicago

Corn Maiden Muse
Jason Garcia [Okuu Pin]
Ceramic and pigment · 2018
Art Institute of Chicago

I, You And Everyone Else We Knew, No (mirror/guillotine)
SoiL Thornton
27 foil emergency blankets, sheet of industrial Aluminum foil, staples, multi clamp garment hanger, stainless bag clip, and toy · 2018
Art Institute of Chicago

Banquetas Chévere (Chévere Stool)
Jorge González Santos
Woven cotton cord on constructed “roble” wood (Tabebuia heterophylla) · 2018
Art Institute of Chicago