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Artworks

Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Robert Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Young Girl Carrying a Flower Arrangement
Nishikawa Sukenobu
Hand-colored woodblock print; page from an illustrated album · 1700
Art Institute of Chicago

Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Brunk
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Sketches of Figures, Landscape
Marco Antonio Franceschini
Pen and brown ink, over traces of graphite, on tan laid paper, tipped onto cream wove paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Sitbon
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Charger
Sebald Ruprecht
Pewter · 1700
Art Institute of Chicago

Penitent Magdalene
Imitator of Titian
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago

Travelers on a Winding Road
Alessio De Marchis
Brush and brown wash, with red chalk, on cream laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Delorme
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Portrait of A. Orr
Alexander Gallaway
1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Delorme
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Winter, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago

Penitent Magdalene
Titian Ramsay Peale II
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Durans
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Autumn, from The Seasons
Charles Le Brun
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Durans
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

The Tent, from an Indo-Chinese or Indian Series
John Vanderbank, British
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago

Inner Portico with Statues
James Thornhill
Graphite and brush and gray wash on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

Triumphs of Julius Caesar: Canvas No. VI
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Pollack
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago