Browse Artworks | Watts Index

The Home My Daddy Built from America: The Third Century

Velox Ward

Collotype from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Concord from America: The Third Century

James Brooks

Screenprint from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Sunrise from America: The Third Century

Robert Andrew Parker

Lithograph from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Bicentennial Print from America: The Third Century

Roy Lichtenstein

Lithograph and screenprint from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Deposit from America: The Third Century

Robert Rauschenberg

Screenprint with hand additions from a portfolio of five lithograph and screenprints, three collotypes, three screenprints, and two lithographs · 1975

Museum of Modern Art

Picasso from Homage to Picasso (Hommage à Picasso)

Ernest Trova

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1975

Museum of Modern Art

Paloma Picasso from Homage to Picasso (Hommage à Picasso)

Andy Warhol

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1975

Museum of Modern Art

Palindrome

Richard Hamilton

Acrylic and collotype on paper · 1974

Tate

A Proposed Fountain of Trickling Water with Ultra-Violet Underlighting, in Memory of Pablo Picasso from Homage to Picasso (Hommage à Picasso)

Dan Flavin

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Larry Rivers

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Louise Nevelson

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Blinky Palermo

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Walter De Maria

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Homage to Picasso (Hommage à Picasso) from Homage to Picasso (Hommage à Picasso)

Günther Uecker

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Picasso Cufflink from Homage to Picasso (Hommage à Picasso)

Claes Oldenburg

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Picasso from Homage to Picasso (Hommage à Picasso)

Robert Indiana

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Bernard Schultze

Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Donald Judd

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Arman

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1974

Museum of Modern Art