Database / Artworks
Artworks
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 1 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
P
Polarity, Place, Pattern, Pebble, Paint, Position, Patina: Paperweight (for Parkett no. 71)
Keith Tyson
Multiple of pebble on copper plate with enamel additions on rubber · 2004
Museum of Modern Art
Uncle Skulky is Accosted by a Few of His Demons, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Hand-colored drypoint and color spitbite from two copper plates on cream wove paper · 2003
Art Institute of Chicago
The Transcendence of Uncle Skulky, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Color spitbite and drypoint from three copper plates on cream wove paper · 2003
Art Institute of Chicago
The Resplendent Uncle Skulky Leers from Behind His Curtain of Stars as His Dolled Up and Pompous Detraitors, Like Fetid Bits of Odium, Gather to Mock Him, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Hand-colored drypoint, aquatint, and spitbite from three copper plates on cream wove paper · 2003
Art Institute of Chicago
Once Again Uncle Skulky Loses His Head in the Dark, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Drypoint and aquatint from two copper plates in black and gray on cream wove paper · 2003
Art Institute of Chicago
That Pompous, Arrogant, Copy Cat Uncle Skulky Sells Out Another Exhibition, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Color spitbite and drypoint from two copper plates on cream wove paper · 2003
Art Institute of Chicago
Uncle Skulky Examines Some Fluff, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Color drypoint, with plate tone, from one copper plate, on cream wove paper · 2003
Art Institute of Chicago
Uncle Skulky Appears to James Ensor and Mocks Him with a Fake Nose, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Color etching, drypoint, and spitbite from two copper plates on cream wove paper · 2003
Art Institute of Chicago
The Transfiguration of Uncle Skulky, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Color spitbite and drypoint from two copper plates, with hand-coloring and touches of graphite, on cream wove paper · 2003
Art Institute of Chicago
The Possession of Uncle Skulky, from The Irreverences, Provocations & Connivances of Uncle Skulky
Frank Boyden
Color drypoint and aquatint from two copper plates on cream wove paper · 2003
Art Institute of Chicago
F
Ferris
Stephen Talasnik
direct gravure and chine collé (drawn on mylar, transferred to copper plate, and etched) · 2002
Cleveland Museum of Art
M
Mercury
Stephen Talasnik
direct gravure and chine collé drawn on mylar, transferred to a copper plate and etched · 2002
Cleveland Museum of Art
Head of an Irish Man
Lucian Freud
Copper plate · 1999
Museum of Modern Art
Untitled
Jasper Johns
Color etching and aquatint from seven copper plates on off-white Japanese paper · 1992
Art Institute of Chicago
Untitled (Copper Plate for We Love You)
Louise Bourgeois
Copper plate, with drypoint · 1992
Museum of Modern Art
U
Untitled (Copper plate for Tornado)
Louise Bourgeois
Copper plate · 1991
Museum of Modern Art
Untitled (Copper plate for Tornado)
Louise Bourgeois
Copper plate · 1991
Museum of Modern Art
Untitled (Copper plate for Tornado)
Louise Bourgeois
Copper plate · 1991
Museum of Modern Art
Nancy Outside in July XIX: The Fish in the Wind
Jim Dine
Hard and soft ground etching and aquatint from three copper plates in white ink on white wove paper, painted in black acrylic · 1981
Art Institute of Chicago