Database / Artworks
Artworks
A
A Midwinter's Daydream
George Condo
Hardground etching with drypoint on Hahnemuhle Copperplate Bright White paper · 2020
The Metropolitan Museum of Art
I
Internal Music
George Condo
Hardground etching with drypoint on Hahnemuhle Copperplate Bright White paper · 2020
The Metropolitan Museum of Art
B
Baoshi Hill in the Ancient Style, No. 1
Shanchun Yan
Album of sixteen copperplate etchings · 2018
The Metropolitan Museum of Art
R
Resurrection Story with Patrons
Kara Walker
Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper · 2017
The Metropolitan Museum of Art
R
Resurrection Story with Patrons
Kara Walker
Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper · 2017
The Metropolitan Museum of Art
U
Untitled
Joseph Hart
Single color letterpress on Hahnemühle Copperplate Paper · 2014
The Metropolitan Museum of Art
The Fight
Susan Hiller
Photo-etching and aquatint on copperplate on paper · 2007
Tate
Our House
Jimmie Durham
Drypoint on copperplate on paper · 2007
Tate
U
Untitled (for Parkett no. 40/41)
Günther Förg
Multiple of mirror and copperplate, mounted on wood · 1994
Museum of Modern Art
64 cancelled copperplates for Six Geometric Figures and All Their Combinations, Volume I
Sol LeWitt
64 copperplates · 1980
Museum of Modern Art
63 cancelled copperplates for Six Geometric Figures and All Their Combinations, Volume II
Sol LeWitt
63 copperplates · 1980
Museum of Modern Art
Sky Frame Orbit
Helen Frankenthaler
Etching in black from one copperplate, with orange ink tap outs, on ivory wove paper · 1973
Art Institute of Chicago
Message from Degas
Helen Frankenthaler
Color etching and aquatint from three copperplates on ivory wove paper · 1972
Art Institute of Chicago
Free Wheeling
Helen Frankenthaler
Etching in black from one copperplate and color pochoir from one vinyl stencil on white wove paper · 1971
Art Institute of Chicago
Lilac Arbor
Helen Frankenthaler
Color aquatint from two copperplates on pinkish ivory wove paper · 1970
Art Institute of Chicago
Lilac Arbor
Helen Frankenthaler
Color aquatint, with etching in black, from three copperplates on pinkish ivory wove paper · 1970
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint from one copperplate, with blue, yellow, and red chalk, on white wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint in black from one copperplate on off-white wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Color etching and sugar-lift aquatint in black from two copperplates on brown wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Color etching and sugar-lift aquatint in black from two copperplates, with pen and black ink, on gray wove paper · 1969
Art Institute of Chicago
Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint from one copperplate,
with burnishing, plate tone, and red pencil,
on off-white wove paper · 1969
Art Institute of Chicago
Male and Female Seal II from the series Tamarind Squares
Giò Pomodoro
Lithograph on (a) acetate flanged onto (b) ivory, smooth, wove Copperplate Deluxe paper, and mounted on ivory mat board · 1967
Museum of Modern Art
Dead Christ with Angels
Édouard Manet
Copperplate, etched and aquatinted · 1866
Art Institute of Chicago
Handkerchief
Celestin Nanteuil
Cotton, twill weave; copperplate printed · 1860
Art Institute of Chicago