Database / Artworks
Artworks
Fragment with factory stamp
Miles & Edwards, 1847
printed, dyed & painted textiles, fragment with factory stamp — medium: cotton technique: block printed on plain weave foundation. block registration marks are visible. blocks for ten different colors were used. four bands of red weft (now faded) were woven into fabric at heading. · 1830
Cooper Hewitt, Smithsonian Design Museum
Fragment
Miles & Edwards, 1847
printed, dyed & painted textiles, fragment — technique: block printed on plain weave foundation; block registration marks visible · 1830
Cooper Hewitt, Smithsonian Design Museum
Fragment with factory stamp
Miles & Edwards, 1847
printed, dyed & painted textiles, fragment with factory stamp — medium: cotton technique: block printed on plain weave foundation; block registration marks visible · 1830
Cooper Hewitt, Smithsonian Design Museum
Map sampler
Lucy C. Berry
embroidery & stitching, map sampler — medium: silk embroidery, watercolor paint, silk foundation technique: embroidered in stem, satin, laid, and back stitches on plain weave, painted label: silk embroidered with silk in stem, satin, laid, and back stitches, with watercolor paint · 1824
Cooper Hewitt, Smithsonian Design Museum
Textile
C. Widmer
printed, dyed & painted textiles, textile — medium: cotton technique: block printed in red on a plain weave foundation that had been dyed gold. a mark where the fabric was secured from the gold dye bath is at both of the lower corners. woven with one band of heavier weft at the bottom of the fabric. · 1820
Cooper Hewitt, Smithsonian Design Museum
Colombes et sangliers
Hippolyte Le Bas, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved roller on plain weave foundation · 1816
Cooper Hewitt, Smithsonian Design Museum
Les monuments de Roma
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation · 1811
Cooper Hewitt, Smithsonian Design Museum
Textile
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: plain weave foundation. colors added by block and by brush, some over resist. · 1810
Cooper Hewitt, Smithsonian Design Museum
Tancred
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1809
Cooper Hewitt, Smithsonian Design Museum
Les monuments de l'Egypte
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — technique: printed by engraved plate (short plate) on plain weave foundation; plate break line is visible within the leaves above the head of the owl. · 1808
Cooper Hewitt, Smithsonian Design Museum
Oiseaux et ecureuils
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved plate on plain weave foundation · 1806
Cooper Hewitt, Smithsonian Design Museum
The deities of Olympus (The Olympian Gods)
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1805
Cooper Hewitt, Smithsonian Design Museum
Sampler
Anna Maria Blagg, English
embroidery & stitching, sampler — medium: silk, linen technique: cross stitch embroidery on plain weave foundation · 1804
Cooper Hewitt, Smithsonian Design Museum
Sampler
Mary Follet
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: plain weave foundation; cross, stem, chain, running, and surface satin stitching · 1802
Cooper Hewitt, Smithsonian Design Museum
Les Losange
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1800
Cooper Hewitt, Smithsonian Design Museum
Medallions et cartouches a l'antique
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1800
Cooper Hewitt, Smithsonian Design Museum
Fragment
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved roller on plain weave foundation · 1800
Cooper Hewitt, Smithsonian Design Museum
Textile
Bouvel Frere et Cie
printed, dyed & painted textiles, textile — medium: cotton technique: plain weave foundation. block-printed; red, black, blue, yellow (yellow over blue for green). · 1800
Cooper Hewitt, Smithsonian Design Museum
Waistcoat
Robert et Cie
costume & accessories, waistcoat — medium: silk fronts, linen back technique: printed by engraved copper plate on 7&1 satin foundation · 1799
Cooper Hewitt, Smithsonian Design Museum
Sample
Johann Friedrich Netto, German
embroidery & stitching, sample — medium: silk and metallic foil on silk core embroidery on silk foundation technique: embroidered in satin, stem, couching and knot stitches, with appliqué on plain weave foundation; painted details · 1798
Cooper Hewitt, Smithsonian Design Museum
La Demande en Marriage
Petitpierre et Cie, Nantes, France
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved copper plate on plain weave foundation · 1795
Cooper Hewitt, Smithsonian Design Museum
Textile
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: madder colors applied by block; other colors applied by brush; plain weave foundation · 1795
Cooper Hewitt, Smithsonian Design Museum
Chef de piece
J.P.Meiller et Cie.
printed, dyed & painted textiles, chef de piece — medium: cotton technique: printed by block on plain weave foundation; different blocks for red and black · 1795
Cooper Hewitt, Smithsonian Design Museum
Sampler
Brunnell
Medium: wool foundation, silk embroidery, linen edging tape Technique: counted and uncounted stitches; cross, eye, stem and satin stitches on plain weave foundation · 1795
Cooper Hewitt, Smithsonian Design Museum