Database / Artworks
Artworks
Sampler
Ann Wood, American
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: embroidered in cross, flame, and eye stitches on plain weave foundation · 1794
Cooper Hewitt, Smithsonian Design Museum
Textile
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: block printed on plain weave foundation, yellow and blue applied by brush label: block printed cotton · 1792
Cooper Hewitt, Smithsonian Design Museum
"L'abreuvoir' (The Well)
Jean-Baptiste Huet, French
textile — medium: technique: plain weave foundation. printed (with a mordant for red) by engraved plate. · 1792
Cooper Hewitt, Smithsonian Design Museum
Les Coquecigrues
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: block printed with some colors applied by brush, on plain weave foundation label: block printed cotton with some colors applied by brush · 1792
Cooper Hewitt, Smithsonian Design Museum
Border
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, border — medium: cotton technique: madder colors (reds, purple and black) block printed, yellow and blue applied by brush on plain weave foundation · 1790
Cooper Hewitt, Smithsonian Design Museum
La Couronnement de la Rosiere
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation printing width of plate: 93 cm (36 1/2 in.) printing height of plate: 99 cm (39 in.). · 1789
Cooper Hewitt, Smithsonian Design Museum
A la gloire de Louis XVI
Gorgerat Frères et Cie., Nantes, France
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved copper plate on plain weave foundation. component "b" is embellished with embroidery in satin stitch (woman's cap and fleur de lys) and stem stitch (netlike covering over globe). · 1789
Cooper Hewitt, Smithsonian Design Museum
Fleurs Tropicales et Palmiers (Tropical Flowers and Palms)
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: block printed, yellow and blue applied by brush, on plain weave foundation label: block printed cotton, yellow and blue applied by brush · 1787
Cooper Hewitt, Smithsonian Design Museum
Textile
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: linen warp, cotton weft technique: block printed on plain weave foundation · 1785
Cooper Hewitt, Smithsonian Design Museum
Hommage d l'Amerique a France
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation · 1785
Cooper Hewitt, Smithsonian Design Museum
Fragments
DuBois Pere et Freres, late 18th century
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by woodblock on plain weave foundation · 1785
Cooper Hewitt, Smithsonian Design Museum
Le Parc du Chateau
Jean-Baptiste Huet, French
printed, dyed & painted textiles, valance — medium: cotton technique: plate printed on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
Fragments
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved plate on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
La liberte Americain
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation. · 1783
Cooper Hewitt, Smithsonian Design Museum
Les Quatre Elements
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved plate on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
Hommage de l'Amerique a la France (America paying homage to France)
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
L'Escarpolette
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
The Pier with a Lamp
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Sawhorse
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Drawbridge
Giovanni Battista Piranesi
etching, engraving, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Giant Wheel
Giovanni Battista Piranesi
etching, engraving [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Round Tower
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Grand Piazza
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
Textile
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: plain weave foundation. block-printed; bronze, yellow and blue applied by brush · 1775
Cooper Hewitt, Smithsonian Design Museum