Artworks

Ellen Gallagher

Etching with screenprint and chine collé from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Screenprint with etching from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Screenprint with etching from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Screenprint with etching and lithograph from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Lithograph from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Offset lithograph with blind embossing from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Etching with screenprint and chine collé from a portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Ellen Gallagher

Portfolio of four etchings with screenprint and chine collé, three lithographs (one with blind embossing, one with etching), and three screenprints with etching (one with lithograph) · 2000

Willie Cole

Left panel: Photo-etching, embossing and hand coloring Middle panel: silkscreen with lemon juice and scorching Right panel: photo etching and woodcut · 1999

On Kawara

Two-volume artist's book of 4024 pages, printed on featherweight Bible Veritable Ivory paper, with black leather covers featuring gold and silver embossing, and a black leather slipcase · 1999

Jannis Kounellis

Letterpress from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

Letterpress from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

Letterpress from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

Letterpress from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One with blind embossing from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999

Jannis Kounellis

One from a portfolio of twelve etching, drypoint, and aquatints with chiné colle (one with blind embossing) and four letterpress prints · 1999