Database / Artworks
Artworks

Modded Server-Rack Display with Some Interpretations of David Darchicourt Designs for NSA Defense Intelligence
Simon Denny
UV prints on Revostage platforms, powder-coated 19" server racks, Cisco Systems WS-C2948G switches, LAN cables, Bachmann power strips, HP Proliant 380DL G5 servers, steel trays, plexiglass and aluminum model, Maisto Humvee 1:18 model car, vinyl and plexiglass letters on plexiglass, prints on cardboard puzzle and laminated cardboard box, Picard steel tool box, screwdrivers, hammer, painting brush, wrench, socket wrench, bits, saw, UV prints on plexiglass, Tamiya 1:48 U.S. Modern 4x4 Utility Vehicle w/Grenade Launcher model cars and figures, CNC/routed MDF, VisiJet PXL Color Bond 3D print, UV print on Aludibond, Fisso stainless steel spacers, anodized aluminum panel, embossed gilded brass medallion, laser-cut plexiglass letters, powder-coated steel and aluminium components, UV print on sandblasted laminated safety glass, and LED strips · 2015
Museum of Modern Art

We Who Feel Differently
Carlos Motta
Custom platforms and seating, carpet, five-channel high-definition video (color, sound; varying durations), five custom LCD monitors, desktop computer, online database, six sets of headphones, inkjet print mounted on wood, four inkjet prints on paper, and vinyl lettering · 2012
Museum of Modern Art
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Journal #21 Women's Residence Green Resource Folder
Greer Lankton
green paper folder. pen and pencil on paper, xeroxes, forms. · 1991
Museum of Modern Art
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The Elder, Ethnic Heritage Series
John Outterbridge
Wooden hat forms, fabric, wooden beads, twine, metal, paint, and human hair · 1979
Whitney Museum of American Art

Sample (Handbag Material)
Dorothy Liebes
Nylon polyamide (three different forms), cotton, linen, cellulose film, and metal foil laminated in cellulose acetate film · 1956
Art Institute of Chicago

Equisetum Hiemale (Magnified 12 Times), Hosta Japonica (Magnified 4 Times), and Equisetum Hiemale (Magnified 12 Times)
Karl Blossfeldt
Photogravure, plate 7 from "Art Forms in Nature (Urformen der Kunst)" (1928) · 1928
Art Institute of Chicago
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La guitare endormie (The Sleeping Guitar)
Juan Gris
Octavo, frontispiece portrait of Reverdy by Gris. 37 poems illustrated with three monochrome illustrations by Gris, each with additional coloring by hand. Unique full turquoise, polished calf binding by Georges Leroux with his signature in gilt and dated 1967. Boards and spine with elaborate decorative collage resembling a Cubist work by Gris composed of wooden inserts, gilt tooling and inlaid polished calf sections, in a variety of colors and forms with additional crushed Morocco. Gold leaf and black calf lettering, title gilt to spine, suede-lined calf-backed wooden board chemise with gilt title to spine, and matching slipcase. Issued with an original pencil drawing for one of the reproductions, and an original folded manuscript of one of the poems by Pierre Reverdy. · 1919
Museum of Modern Art

Panel (Furnishing Fabric)
Manchu
Gold satin ground with embroidered dragon medallions, clouds and variety of floral forms in polychrome · 1800
Art Institute of Chicago

Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago
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The Black Factory Archive
Pope.L
Forms
Museum of Modern Art