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Artworks

23,144 records · Graphite
July - Mount Lafayette, N.H.
July - Mount Lafayette, N.H.
David Johnson
Graphite on ivory wove paper · 1847
Art Institute of Chicago
Study of Hemlock and Beech, White Lake
Study of Hemlock and Beech, White Lake
Daniel Huntington, American
Graphite and white chalk on grey paper · 1847
Cooper Hewitt, Smithsonian Design Museum
Woodland Scene at Sunset
Woodland Scene at Sunset
Frederic Edwin Church, American
Graphite and white gouache on light brown wove paper; verso: graphite and gouache · 1847
Cooper Hewitt, Smithsonian Design Museum
Study of Oaks at Dennings Point
Study of Oaks at Dennings Point
Daniel Huntington, American
Graphite on paper · 1847
Cooper Hewitt, Smithsonian Design Museum
Study of Hemlock near White Lake
Study of Hemlock near White Lake
Daniel Huntington, American
Graphite on paper · 1847
Cooper Hewitt, Smithsonian Design Museum
Country Scene
Country Scene
Jasper Francis Cropsey, American
Graphite, brush and white gouache on pale blue paper · 1847
Cooper Hewitt, Smithsonian Design Museum
P
Paestum
Jean-Léon Gérôme
Black, red, and white chalk, brush and brown wash, over graphite · 1847
The Metropolitan Museum of Art
P
Pentedatelo, Calabria, Italy
Edward Lear
Watercolor over graphite · 1847
The Metropolitan Museum of Art
P
Prince Friedrich of Schwarzenberg
Josef Kriehuber
Watercolor and gouache, graphite · 1847
The Metropolitan Museum of Art
V
View of Sciacca, Sicily
Edward Lear
Pen and brown ink, over graphite · 1847
The Metropolitan Museum of Art
S
Standing Peasant Girl
François Bonvin
Graphite · 1847
The Metropolitan Museum of Art
View of Sciacca, Sicily
View of Sciacca, Sicily
Edward Lear
Pen and brown ink, over graphite · 1847
The Metropolitan Museum of Art
Pentedatelo, Calabria, Italy
Pentedatelo, Calabria, Italy
Edward Lear
Watercolor over graphite · 1847
The Metropolitan Museum of Art
Portrait of Julius Olivier, the Artist's Son
Portrait of Julius Olivier, the Artist's Son
Friedrich von Olivier
Graphite, watercolor, white gouache; octagonal framing lines · 1846
The Metropolitan Museum of Art
Pine Tree, Conway, New Hampshire (recto)
Pine Tree, Conway, New Hampshire (recto)
David Johnson
graphite with pen and brown ink · 1846
Cleveland Museum of Art
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies (verso)
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies (verso)
David Johnson
graphite with pen and brown ink · 1846
Cleveland Museum of Art
Interior of a Church
Interior of a Church
Johannes Bosboom
Pen and brown ink, with watercolor and graphite, on cream wove card · 1846
Art Institute of Chicago
Head of a Woman; Study for a mural in the Church of Saint-Paul, Nîmes
Head of a Woman; Study for a mural in the Church of Saint-Paul, Nîmes
Hippolyte Flandrin
Graphite · 1846
The Metropolitan Museum of Art
Salomé Dancing Before the Head of St. John the Baptist
Salomé Dancing Before the Head of St. John the Baptist
Moreau
Graphite, watercolor and gouache on cream wove paper · 1846
The Metropolitan Museum of Art
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies (verso)
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies (verso)
David Johnson
graphite with pen and brown ink · 1846
Cleveland Museum of Art
Pine Tree, Conway, New Hampshire (recto)
Pine Tree, Conway, New Hampshire (recto)
David Johnson
graphite with pen and brown ink · 1846
Cleveland Museum of Art
Landscape and Tree Studies (verso)
Landscape and Tree Studies (verso)
David Johnson
graphite · 1846
Cleveland Museum of Art
Illustration to Vanity Fair, Chapter 1: "Jos and Becky"
Illustration to Vanity Fair, Chapter 1: "Jos and Becky"
William Makepeace Thackeray
Watercolor over graphite · 1846
The Metropolitan Museum of Art
Design for an illustration to Vanity Fair (recto); Sketch of young woman (verso)
Design for an illustration to Vanity Fair (recto); Sketch of young woman (verso)
William Makepeace Thackeray
Watercolor over graphite (recto); graphite (verso) · 1846
The Metropolitan Museum of Art
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