Database / Artworks
Artworks
Cityscape IV
Ethel Stein
Cotton, satin damask weave; supplementary warp and weft twining; woven on a loom with a drawloom attachment fabricated by the artist · 2005
Art Institute of Chicago
Study for Black and White Series
Ethel Stein
Cotton, satin damask weave self-patterned by warp and weft floats; woven on a loom with a drawloom attachment fabricated by the artist · 2004
Art Institute of Chicago
Taxi Drawing
Paul Sietsema
Cut-and-pasted paper, cut-and-pasted printed paper, and cut-and-pasted colored paper with gouache, pencil, felt-tip pen, watercolor, and masking tape on paper · 2003
Museum of Modern Art
The Look Stains (681 - 695)
Brad Brown
Cut paper with oil, ink, pencil, masking tape, spiral notebook, and staples nailed to board · 2002
Museum of Modern Art
Found
Anne Wilson
Linen, 7:1 satin damask weave; embellished with human hair couched (underside) with silk thread; monogram in ink · 1998
Art Institute of Chicago
Found
Anne Wilson
Linen, 7:1 satin damask weave; embellished with human hair couched (underside) with silk thread; monogram in ink · 1998
Art Institute of Chicago
Found
Anne Wilson
Linen, 7:1 satin damask weave; embellished with human hair couched (underside) with silk thread; monogram in ink · 1998
Art Institute of Chicago
No to Indian Point
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1997
Art Institute of Chicago
Tree Stripe (Furnishing or Decorative Fabric)
Cynthia Schira
Cotton and polyester, 7:1 satin damask weave self-patterned by areas of 4:4 and 2:6 twill weave · 1997
Art Institute of Chicago
Leo
Jasper Johns
Crayon-masked aquatint (lithoground) and spitbite in color on off-white wove paper · 1997
Art Institute of Chicago
Red, Yellow, Blue, Green, Orange
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1995
Art Institute of Chicago
Red, Yellow, Blue, Green, Orange III
Ethel Stein
Cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1995
Art Institute of Chicago
Red, Yellow, Blue, Green, Orange II
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1995
Art Institute of Chicago
The Woods
Dianne Shullenberger
Linen, plain weave; appliquéd with cotton, acetate, polyester, and silk, plain, complementary weft plain, twill, satin and satin damask weaves; printed; machine embroidered with cotton and polyester; edged with cotton, satin weave; printed · 1995
Art Institute of Chicago
Untitled from The Tower of Terror Studies
Cady Noland
Pencil and masking tape on transparentized paper · 1994
Museum of Modern Art
Whiteness 6
Richard Tuttle
Styrofoam, paper, colored pencil, graphite, latex paint, plywood, enamel, nails, cotton cloth, galvanized metal, and masking tape · 1994
Museum of Modern Art
B
Bubble Pack Fabric
Reiko Sudo
Silk with shrink masking · 1994
Museum of Modern Art
Interior with T'Aime (Study)
Roy Lichtenstein
Graphite, colored pencils and masking tape on vellum · 1993
Whitney Museum of American Art
Positive/Negative
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1993
Art Institute of Chicago
Fabula
Renate Weisz
Cotton, satin damask weave · 1993
Art Institute of Chicago
Blanket (Sample)
Ben Rose
Wool, 4:1 satin damask weave · 1992
Art Institute of Chicago
T
The Liar, the copy of the Liar - 1
Francis
Enamel on metal sheet, oil on paperboard with masking tape and oil and wax on canvas glued to particle board · 1991
The Metropolitan Museum of Art
S
Space Windows/Insadong
Glen Kaufman
silk damask, screen printed with silver leaf; ten panels · 1991
Cleveland Museum of Art
D
Drawing for "Fourth Frond" Chair
Terence Main
Ink, masking tape, and lithographic crayon on paper · 1991
The Metropolitan Museum of Art