Database / Artworks
Artworks
N
Night Sky 1 (Reversed)
Vija Celmins
Three-color photoetching, aquatint, photogravure, and drypoint · 2002
The Metropolitan Museum of Art

Really from 1989
Jim Hodges
Double-sided digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Robert Wilson
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Chuck Close
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
U
Untitled from 1989
Nan Goldin
Silver dye bleach print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
A
All That Glitters is Gold from 1989
Lari Pittman
Digital print from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Jorge Pardo
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Johnnie Ray from 1989
Jack Pierson
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Cindy Sherman
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Laurie Simmons
Chromogenic print from a portfolio of four Chromogenic prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Radio Pudding from 1989
Frank Moore
Monotype and photoetching from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

Untitled from 1989
Kiki Smith
Etching and aquatint from a portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art

1989
Frank Moore
Portfolio of four chromogenic color prints, four digital prints (one double-sided), one silver dye bleach print, one monotype and photoetching, and one etching and aquatint · 2000
Museum of Modern Art
M
Man Spirit Mask: Man
Willie Cole
embossed photoetching hand-colored with lemon juice · 1999
Cleveland Museum of Art
M
Man Spirit Mask: Mask
Willie Cole
photoetching and woodcut · 1999
Cleveland Museum of Art
M
Man Spirit Mask
Cole
embossed photoetching hand-colored with lemon juice; photoscreenprint hand-colored with lemon juice; photoetching and woodcut · 1999
Cleveland Museum of Art
M
Man Spirit Mask: Mask
Cole
photoetching and woodcut · 1999
Cleveland Museum of Art

Untogether from 20" x 15"
Jonathan Seliger
Etching and aquatint from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Proust from 20" x 15"
Matthew Abbott
Aquatint with embossing from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

All Types of Fat International from 20" x 15"
Nicole Eisenman
Aquatint and photogravure from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Ripple Chip from 20" x 15"
Sean Mellyn
Aquatint, photoetching, and woodcut from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

20" x 15"
Sean Mellyn
Portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Untitled from 20" x 15"
Ava Gerber
Aquatint and screenprint with collage additions from a portfolio of five aquatints (one with embossing, one with photogravure, one with etching, one with photoetching and woodcut, and one with screenprint and collage additions) · 1997
Museum of Modern Art

Ice Floe, Utoro (Utoro ryūhyō)
Yoshida Chizuko
Photoetching and color woodblock print; artist’s proof · 1995
Art Institute of Chicago