Database / Artworks
Artworks

Untitled from Homage to Picasso (Hommage à Picasso)
Victor Vasarely
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Allan D'Arcangelo
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Antoni Tàpies
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Flame Out For Picasso from Homage to Picasso (Hommage à Picasso)
James Rosenquist
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Joan Miró
Etching and aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Four Reclining Figures from Homage to Picasso (Hommage à Picasso)
Henry Moore
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Ariadne from Homage to Picasso (Hommage à Picasso)
Gerhard Altenbourg
Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Helmut A. P. Grieshaber
Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Viva Picasso from Homage to Picasso (Hommage à Picasso)
Jean Tinguely
Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Hans Bellmer
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Homage to Picasso from Homage to Picasso (Hommage à Picasso)
Eduardo Paolozzi
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Nicholas Krushenick
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Still Life with Picasso from Homage to Picasso (Hommage à Picasso)
Roy Lichtenstein
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Cy Twombly
Lithograph and collotype from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Homage to Picasso from Homage to Picasso (Hommage à Picasso)
Robert Rauschenberg
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Jorge Castillo
Etching, aquatint, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

The Student from Homage to Picasso (Hommage à Picasso)
David Hockney
Aquatint and etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)
Michelangelo Pistoletto
Lithograph on steel mirror from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
S
Some Poems of Jules Laforgue
Patrick Caulfield
Illustrated book with twenty-two screenprints and additional suite of six screenprints · 1973
Museum of Modern Art

I-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square
Josef Albers
Two screenprints · 1972
Museum of Modern Art

Untitled (Hotel du Nord) from Prints for Phoenix House
Joseph Cornell
Screenprint with stencil and varnish additions from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Baghdad from Prints for Phoenix House
R. B. Kitaj
Screenprint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled from Prints for Phoenix House
Adolph Gottlieb
Aquatint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art
P
Panama Hat from Prints for Phoenix House
David Hockney
Etching and aquatint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art