Database / Artworks
Artworks
A
A Midwinter's Daydream
George Condo
Hardground etching with drypoint on Hahnemuhle Copperplate Bright White paper · 2020
The Metropolitan Museum of Art
I
Internal Music
George Condo
Hardground etching with drypoint on Hahnemuhle Copperplate Bright White paper · 2020
The Metropolitan Museum of Art
B
Broadside: Books & manuscripts offered for sale by Ben Kinmont, Bookseller. Sebastopol: Antinomian Press, 2018
Ben Kinmont
Black ink on white paper · 2018
Museum of Modern Art
F
Flyer: This isn’t it. Noisy le Sec. [Noisy-le-Sec: Antinomian Press, 21 September], 2017.
Ben Kinmont
Printed in black ink on white paper · 2017
Museum of Modern Art
P
Proof for broadside The Antinomian Press: Sometimes you must close a door to enter another room, Sebastopol: The Antinomian Press, 22 March 2016
Ben Kinmont
Printed in black and red ink on white paper, with pencil additions · 2016
Museum of Modern Art
M
Mock-up for Ben Kinmont, Bookseller California Book Fair 2016. Sebastopol: Antinomian Press, 2016, book fair list and graphs pasted onto the verso of a copy of the [Drop title:] A Discourse on …malt liquors. 1783 broadside (a photograph of a handwritten book fair list printed on glossy paper) from 2013
Ben Kinmont
Printed in black ink on white paper with watercolor and pencil additions · 2016
Museum of Modern Art
T
Typed note: “Ben, Aside from the 2 copies of the ‘Project Series: Archive Contracts’ publication which we printed and distributed at the event, I have also included 2 of the 4 flyers which I made and posted around the neighborhood prior to the show,” a typed note to Kinmont from Sam Grossinger attached with a paper clip are two flyers for the event at 740 GL printed in the style of 90’s raves
Ben Kinmont
Printed in black ink on white paper with colored ink additions, attached with a paper clip are two flyers printed in colored ink on white paper · 2016
Museum of Modern Art
P
Proof of the Sshhh archive inventory list to be silkscreened on the wall at the, exhibition of the Sshhh project in the Whitney 2014 Biennial
Ben Kinmont
Printed in black on white paper · 2014
Museum of Modern Art
C
Chamber Music: Allegro, Allegretto, Vivace, and Adagio
Susan Schwalb
Allegro: soft ground and aquatint with paynes gray ink on Somerset textured white paper
Allegretto: aquatint with blue ink on Somerset textured white paper
Vivace: soft ground with maroon ink on Somerset textured white paper
Adagio: hard ground and aquatint with green ink on Somerset textured white paper · 2013
The Metropolitan Museum of Art
D
Draft of the flyer The Art world is not invited, which was distributed on the street as a part of the Kadist SF show, September- October 2012
Ben Kinmont
Printed in black ink on white paper with decorative borders · 2012
Museum of Modern Art
D
Draft of the flyer A Declaration; or the future lies in that which is not art, which was distributed on the street as a part of the Kadist SF show, September- October 2012
Ben Kinmont
Printed in black ink on white paper with a thin black border around text · 2012
Museum of Modern Art
D
Draft of the flyer A Declaration; or the future lies in that which is not art, which was distributed on the street as a part of the Kadist SF show, September- October 2012
Ben Kinmont
Printed in black ink on white paper with pencil and decorative borders · 2012
Museum of Modern Art
E
Email to Kinmont from Marianne Baillot, “Ben, I think no [sic] enough people in Portugal read english,” regarding the creation of the “Para uma definição de project art” broadside of Towards a definition of project art and Ethical considerations in project art in Portuguese, dated 7 March 2012
Ben Kinmont
Printed email; attached are four proofs of the broadside, two printed in black ink on white paper and two printed in black and pink ink on white paper, paper clipped in upper left-hand corner · 2012
Museum of Modern Art
D
Draft of the flyer The Art world is not invited, which was distributed on the street as a part of the Kadist SF show, September- October 2012
Ben Kinmont
Printed in black ink on white paper with a thin black border around text, with pencil additions · 2012
Museum of Modern Art
D
Draft of Student Series: Agency. San Francisco: Antinomian Press, 2 October, 2012
Ben Kinmont
7 leaves, printed in black ink on white paper, paper clipped in the upper left hand corner · 2012
Museum of Modern Art
T
Text for the Gone flyers distributed as a part of the Kadist SF show, September-October 2012
Ben Kinmont
Printed in black on white paper · 2012
Museum of Modern Art
P
Project Series: Christopher D’Arcangelo. Antwerpen: Antinomian Press, 12, September 2012
Ben Kinmont
34 leaves, stapled in the upper left hand corner, in black ink on white paper · 2012
Museum of Modern Art
S
Student Series: Agency. San Francisco: Antinomian Press, 2 October 2012
Ben Kinmont
32 leaves, printed in black ink on white paper and paper clipped in the upper left hand corner · 2012
Museum of Modern Art
T
Text for A Declaration; or the future lies in that which is not art flyers distributed as a part of the Kadist SF show, September- October 2012
Ben Kinmont
Printed in black on white paper · 2012
Museum of Modern Art
K
Kinmont’s handwritten notes preparing for the show at Frieze Art Fair, New York, “possible pieces: moveable type no Documenta…”
Ben Kinmont
pencil on white paper · 2012
Museum of Modern Art
I
Inventory List: Moveable type no Documenta
Ben Kinmont
12 leaves, stapled in the upper left corner, in black ink on white paper · 2012
Museum of Modern Art
C
Contagion (color version, proof 1)
Nicole Eisenman
etching and aquatint Hahnemühle bright white paper · 2012
Cleveland Museum of Art
C
Contagion (color version, proof 4)
Nicole Eisenman
etching and aquatint Hahnemühle bright white paper · 2012
Cleveland Museum of Art
C
Contagion (proof)
Nicole Eisenman
etching and aquatint Hahnemühle bright white paper · 2012
Cleveland Museum of Art