Database / Artworks
Artworks

Sample (Drapery Fabric)
Dorothy Liebes
Cotton, synthetic strip, meatl foil laminated in cellulose acetate and metallized polyester film, plain weave with paired warps · 1957
Art Institute of Chicago

Parcypress (Drapery Fabric)
Astrid Sampe
Polyester and rayon, plain weave with supplementary discontinuous patterning warps · 1957
Art Institute of Chicago

Prairie (Furnishing Fabric)
Eleanor Kluck
Polyester, wool, silk, plain weave; screen printed · 1956
Art Institute of Chicago

Sample (Dr 119 S #1)
Robert D. Sailors
Wool, cotton, rayon, and metallic foil encased in polyester film, plain weave · 1956
Art Institute of Chicago

Tulip Armchair (model 150)
Eero Saarinen
Fiberglass-reinforced polyester and cast aluminum · 1955

Groves (Furnishing Fabric)
Ben Rose
Polyester, plain weave; screen printed · 1955
Art Institute of Chicago

Jason (Furnishing Fabric)
Jack Lenor Larsen
Cotton, wool, and metallized polyester film with synthetic coating, plain weave; openwork · 1955
Art Institute of Chicago

Sample (Up 146 Q #1)
Robert D. Sailors
Cotton, wool, acrylic, silk, linen, polyester, rayon, and nylon, plain weave · 1955
Art Institute of Chicago
M
Motorcycle jacket
Irving Schott
Cowhide leather, quilted polyester-filled lining, chrome hardware · 1955
Museum of Modern Art

Tulip Armchair (model 150)
Eero Saarinen
Fiberglass-reinforced polyester and cast aluminum · 1955
Museum of Modern Art

Stacking Side Chair
Charles Eames
Molded polyester reinforced with glass fibers, zinc-coated steel tube, rubber shock mounts, and nylon glides · 1955
Museum of Modern Art
Y
Yoicks
Robert Rauschenberg
Enamel and oil on collaged polyester, found paper, and cotton on canvas · 1954
Whitney Museum of American Art

Sample (Handbag Material)
Dorothy Liebes
Cellulose film, silk, acetate, metal foil laminated in cellulose acetate film, polyester film, and synthetic film, plain weave · 1954
Art Institute of Chicago

Sample (Upholstery Fabric)
Dorothy Liebes
Linen, metal foil laminated in polyester film, and metal foil laminated in cellulose acetate film; plain weave · 1953
Art Institute of Chicago

Amish "Nine Patch" Block-Pieced Crib Quilt
Amish
Cotton and polyester, plain weaves; pieced; backed; quilted with cotton thread · 1953
Art Institute of Chicago

Sample
Mary Evans Landis
Linen, wild silk, wool, and polyester film, bands of plain weave, of double-faced complementary weft twill plain weaves with inner warps; warp fringe · 1951
Art Institute of Chicago

Sketch
Trude Guermonprez
Cotton, linen, rayon, metallized polyester film, and cellulose film, plain weave with plain interlacings of secondary binding warps and supplementary brocading wefts and self-patterning of secondary binding warp floats · 1950
Art Institute of Chicago

Woven Sample
Marianne Strengell
Cotton, rayon and metallic strip encased in polyester film, plain weave · 1950
Art Institute of Chicago

Sample (Automobile Upholstery Fabric)
Marianne Strengell
Nylon, cotton, rayon and metallic strip encased in polyester film, warp-float faced satin weave with supplementary patterning wefts and self-patterned by weft-float face areas of main-warp and ground weft floats · 1950
Art Institute of Chicago

Woven Sample (Automobile Upholstery Fabric)
Mary Hammond Rodman
Nylon, cotton, metallic strip encased in polyester film, tied and free double cloth of plain weave backed by supplementary weft floats and plain weave self-patterned by areas of warp-float faced twill weave · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Linen, nylon, cotton, wool, modacrylic metallic strip encased in polyester film, weft-faced plain weave with supplementary wrapping wefts forming cut and uncut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago

Sample (Up 142 M #1)
Robert D. Sailors
Cotton, wool, nylon, rayon, and metallic foil encased in polyester film, broken twill weave · 1950
Art Institute of Chicago

Hired Hand Quilt with Tumbling Block Pattern
Amish
Cotton, polyester, and rayon, plain and twill weaves; pieced; backed with cotton and polyester, plain weave; quilted with cotton thread · 1950
Art Institute of Chicago

Side Chair
Charles Eames
Molded polyester reinforced with glass fibers, wire struts, and rubber shock mounts · 1950
Museum of Modern Art