Database / Artworks
Artworks

The Ungrateful Son, from Tales of the Brothers Grimm
Natalie Frank
Gouache and colored chalk, with blending and wet brush, on white wove paper · 2011
Art Institute of Chicago

Untitled
Raymond Pettibon
Pen and black ink and brush and red chalk on white wove paper · 1996
Art Institute of Chicago

The Bat Lady
Thornton Dial
Charcoal and colored chalk on paper · 1995
Museum of Modern Art

Read/Reap
Bruce Nauman
Colored chalks, pencil, and masking tape on cut-and-pasted papers · 1983
Museum of Modern Art

Thank-You Palette for New York
William T. Wiley
Watercolor, pencil, and colored chalk on paper · 1978
Museum of Modern Art
N
Numinous I
John Walker
Synthetic polymer paint, oil, powdered chalk and pigment, and canvas appliqué on canvas · 1977
Museum of Modern Art

Extended Lines #2
Cynthia Carlson
Acrylic paint, over colored chalk and price tags with string, on cream wove paper · 1976
Art Institute of Chicago

Decoy
Jasper Johns
Charcoal and colored chalks on newsprint cut to form · 1971
Art Institute of Chicago

Connected by Joy
Helen Frankenthaler
Sugar-lift aquatint from one copperplate, with blue, yellow, and red chalk, on white wove paper · 1969
Art Institute of Chicago

Untitled
Theodore Halkin
Colored pencil, colored chalk, and black felt-tip pen on cream wove paper · 1968
Art Institute of Chicago

Study for Fourteenth Stone
Lee Bontecou
Graphite and red chalk on tracing paper · 1968
Art Institute of Chicago

Stencils for Fourteenth Stone
Lee Bontecou
Graphite, with red chalk, on ivory wove paper · 1968
Art Institute of Chicago

Perspective
Jiro Takamatsu
Colored chalk on colored paper · 1968
Museum of Modern Art

Perspective
Jiro Takamatsu
Colored chalk on colored paper · 1968
Museum of Modern Art

Study for Plate IV, from Fifth Stone, Sixth Stone
Lee Bontecou
Graphite (recto); red chalk (verso) on tracing paper · 1967
Art Institute of Chicago

Untitled
Theodore Halkin
Colored pencil, colored chalk, and black felt-tip pen on cream wove paper · 1967
Art Institute of Chicago

Untitled
Theodore Halkin
Colored pencil and colored chalk with graphite and carbon transfer on cream wove paper · 1967
Art Institute of Chicago

Study for Cover, from Fifth Stone, Sixth Stone
Lee Bontecou
Graphite, with red chalk (recto); red chalk (verso), on tracing paper · 1967
Art Institute of Chicago

Study for Plate II and IV, from Fifth Stone, Sixth Stone
Lee Bontecou
Graphite, with touches of red chalk, on tracing paper · 1967
Art Institute of Chicago

Study for Plate I, from Fifth Stone, Sixth Stone
Lee Bontecou
Black crayon with offset red chalk on tan wove paper · 1967
Art Institute of Chicago
U
Untitled
Claude Viseux
Fingerprints and ink, red chalk · 1963
Museum of Modern Art

False Start I
Jasper Johns
Color lithograph heightened with colored chalk on cream wove paper · 1962
Art Institute of Chicago

Canto XIV: Circle Seven, Round 3, The Violent Against God, Nature, and Art, from the series Thirty-Four Illustrations for Dante's Inferno
Robert Rauschenberg
Solvent transfer drawing, watercolor, gouache, pencil, and red chalk on paper · 1959
Museum of Modern Art

Composition in Brown
Norman Lewis
Watercolor and brush and black ink, with pen and brown and black ink, red chalk, and brown pastel, on cream wove paper · 1953
Art Institute of Chicago