Database / Artworks
Artworks
Conversion of Saint Paul
Raphael Maklouf
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Maklouf
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Cattle in Water
Aelbert Cuyp
Graphite and brush and brown wash on blue laid paper · 1700
Art Institute of Chicago
Flower Vase (one of a pair)
Grieksche A Factory
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago
Conversion of Saint Paul
Robert Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Robert Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Putto Holding Flowers
Pellegrino Tibaldi
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper · 1700
Art Institute of Chicago
Portrait of a Gentleman
Christian Friedrich Zincke
porcelain · 1700
Art Institute of Chicago
The Fanciful Eight Views in Military Love Affairs (Furyu budo iro-bakkei)
Torii Kiyonobu I
Woodblock printed book, sumizuri-e · 1700
Art Institute of Chicago
Putti Bacchanal
Carlo Amalfi
Black chalk, with brush and brown wash, on ivory laid paper · 1700
Art Institute of Chicago
Tankard
Cornelius Kierstede
Silver · 1700
Art Institute of Chicago
Standing Man
Romeyn de Hooghe
Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago
Penitent Magdalene
Imitator of Titian
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Brunk
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
The Tent, from an Indo-Chinese or Indian Series
John Vanderbank
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Seated Allegorical Female Figure
Francesco Solimena
Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Egil
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago
The Nativity
Bartolomeo Biscaino
oil paint · 1700
Art Institute of Chicago
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco
Oil on canvas · 1700
Art Institute of Chicago
Seated Woman Crowned by Angel
Giovanni Battista Tiepolo
Pen and brown ink, with brush and gray wash, over traces of black chalk, on tan wove paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Zollinger
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
The Tent, from an Indo-Chinese or Indian Series
John Vanderbank, British
Wool and silk, slit and double interlocking tapestry weave · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Zollinger
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago