Database / Artworks
Artworks

Sample and One Colorway (83.79.954/1.)
J B. Martin Company, Inc.
Silk and acetate, plain weave with supplementary warps and supplementary pile warps forming cut solid velvet; impressed pattern · 1933
Art Institute of Chicago

Fragment (Furnishing Fabric)
Henry Moore
Rayon and cellulose acetate, plain weave (creped weft); screen printed · 1933
Art Institute of Chicago

Sample (83.79.955/2.)
J B. Martin Company, Inc.
Silk and acetate, plain weave with supplementary warps and supplementary pile warps forming cut solid velvet; impressed pattern · 1930
Art Institute of Chicago

Fragment or Swatch
Fredrica Justina Staack
Acetate and rayon warp-faced plain weave with crepe effect from overspun wefts; printed · 1929
Art Institute of Chicago

Fragment or Swatch
Fredrica Justina Staack
Cellulose acetate and wool, plain weave with crepe effet from overspun wefts; printed · 1929
Art Institute of Chicago

Fragment or Swatch
Fredrica Justina Staack
Acetate and rayon, plain weave with crepe effect from overspun wefts; printed · 1929
Art Institute of Chicago

Fragment or Swatch
Fredrica Justina Staack
Cellulose acetate and silk, plain weave with crepe effect from overspun wefts; printed · 1929
Art Institute of Chicago

Panel (design 9372-6043)
Maria Kipp
Cotton, linen, rayon and metal foil laminated in cellulose acetate film, plain weave with discontinuous supplementary patterning warps; two selvages present · 1920
Art Institute of Chicago

Panel
Maria Kipp
Cotton, wool, rayon, and metal foil laminated in cellulose acetate film, plain weave with patterning wefts and self-patterned by main warp and ground weft floats forming uncut warp pile in areas · 1920
Art Institute of Chicago

"Mother-in-Law" Quilt
Lulu Bennett
Appliquéd and embroidered quilt; dyed and printed cotton, silk, rayon and acetate plain, twill and satin weave fabrics; cotton embroidery threads · 1920
Art Institute of Chicago

Fabric Sample
Richard Riemerschmid
Cotton and acetate · 1905
Museum of Modern Art

Married Woman's Pot or Huipil (Blouse)
Maya
Cotton and silk, plain weave with patterning and brocading wefts; joined with cotton in cretan and cross stitches; appliquéd with cellulose acetate, plain weave; embroidered with silk in chain stitches; metal buttons · 1900
Art Institute of Chicago

Casement cloth
Marianne Strengell
Cotton, acetate rag, and chenille
Museum of Modern Art