Database / Artworks
Artworks
Hopes and Options
Jean Dubuffet
Polyvinyl acetate paint and acrylic paint on foam on metal stand · 1971
Tate
Card
Helen Frankenthaler
Three color lithographs, with crayon notations on three sheets of clear acetate, with cut-outs, and graphite notations on white card, cut and taped · 1971
Art Institute of Chicago
Card
Helen Frankenthaler
Three color lithographs, with crayon notations on three sheets of clear acetate, cut and taped with two additional sheets of clear acetate, one with crayon notations and one with cut-outs, and white card with graphite notations · 1971
Art Institute of Chicago
Card
Helen Frankenthaler
Three color lithographs, with crayon notations on three sheets of clear acetate, with cut-outs, and graphite notations on white card, cut and taped · 1971
Art Institute of Chicago
Card
Helen Frankenthaler
Three color lithographs, with crayon notations on three sheets of clear acetate, cut and taped with two additional sheets of clear acetate with crayon notations and white wove card with graphite notations · 1971
Art Institute of Chicago
Card
Helen Frankenthaler
Two color lithographs on clear acetate, one with crayon notations, cut and taped with two additional sheets of clear acetate with crayon notations and white wove card with graphite notations · 1971
Art Institute of Chicago
Card
Helen Frankenthaler
Three color lithographs, with crayon notations on three sheets of clear acetate, cut and taped with an additional sheet of clear acetate with crayon notations and white wove card with graphite notations · 1971
Art Institute of Chicago
For Adults Only
Larry Rivers
Acetate · 1971
Art Institute of Chicago
For Adults Only
Larry Rivers
Collage of frosted acetate and Mylar, with hand colored additions, on white wove paper · 1971
Art Institute of Chicago
For Adults Only
Larry Rivers
Orange printing ink and cutouts on light orange wove paper, taped to acetate · 1971
Art Institute of Chicago
For Adults Only
Larry Rivers
Black ballpoint pen and blue ballpoint pen over graphite, embossed for transfer, on frosted acetate · 1971
Art Institute of Chicago
Card
Helen Frankenthaler
Three color lithographs, with crayon notations on three sheets of clear acetate, cut and taped with four sheets of white wove paper, with graphite and crayon notations on verso · 1971
Art Institute of Chicago
Leftovers
Luis Camnitzer
80 cardboard boxes, gauze and polyvinyl acetate · 1970
Tate
Braniac 5 no puede ganar contra tres maquinas, from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint on acetate · 1970
Art Institute of Chicago
Notes on the organization of Paradise, from General Dynamic F.U.N.
Eduardo Paolozzi
Screenprint on acetate · 1970
Art Institute of Chicago
Cucumber Night Cream, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
Animals as Aliens, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
New Semester Reward of the Oppressed, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
An Empire of Silly Statistics ... A Fake War for Public Relations, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
Calling Radio Free America, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
Synthetic Sirens in the Pink Light District, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
Almost any Suburb, from General Dynamic F.U.N.
Eduardo Paolozzi
Photolithograph on acetate · 1970
Art Institute of Chicago
Diana with Poem
Larry Rivers
Lithograph in black with blue and red (faded to orange) ballpoint pen additions, traces of graphite, and pinholes on two sheets frosted acetate with cutout holes (top only), taped onto cardboard frame · 1970
Art Institute of Chicago
Diane Raised III
Larry Rivers
Graphite and blue ballpoint pen, with traces of iron oxide, on frosted acetate · 1970
Art Institute of Chicago