Database / Artworks
Artworks
Marshall Field Office Building Complex, Chicago, Illinois, Rendering
Dubin, Dubin, Black, and Moutoussamy
Watercolor, tempra, inks on drawing board, mounted on illustration board, acetate wrapped. · 1970
Art Institute of Chicago
Landslide, no. 5
Bas Jan Ader
Publication with acetate cover and mimeographed letter in envelope · 1970
Museum of Modern Art
If I Forget Thee, Oh Jerusalem
John W. Mulder
Silk, wild silk, and acetate, plain weave; batik printed · 1969
Art Institute of Chicago
Southwest Blues
Helen Frankenthaler
Color lithograph from two stones on acetate · 1969
Art Institute of Chicago
Apartments 51st & Chicago Beach Drive, Chicago, Illinois, Rendering
Dubin, Dubin, Black, and Moutoussamy
Watercolor, tempra, inks on drawing board, mounted on illustration board, acetate wrapped. · 1969
Art Institute of Chicago
Physichromy 467
Carlos Cruz-Diez
Casein on PVC and acetate sheets over wood · 1969
Museum of Modern Art
King Broadcasting Company Office Building Project, Seattle, WA, Site utlilization study, phase II.
Ludwig Mies van der Rohe
Photostat with pencil on acetate · 1969
Museum of Modern Art
Landslide, no. 2
Bas Jan Ader
Four sheets (two mimeographed, one punctured, one blank) in acetate sleeve, five mimeographed stapled sheets (with sticker addition on cover), and mimeographed letter in envelope · 1969
Museum of Modern Art
Landslide, no. 1
Bas Jan Ader
Eight mimeographed sheets (including cover) in acetate sleeve with mimeographed letter in envelope · 1969
Museum of Modern Art
Landslide, no. 4
Bas Jan Ader
Mimeographed publication with cardboard cover and acetate sleeve in envelope · 1969
Museum of Modern Art
Swingeing London 67 (f)
Richard Hamilton
Acrylic paint, screenprint, paper, aluminium and metalised acetate on canvas · 1968
Tate
Gamble
Robert Rauschenberg
Color lithograph with graphite and blue ballpoint pen additions, and collage of lithograph in black on acetate, taped to white wove paper · 1968
Art Institute of Chicago
Sample (93.30.10.3/61.)
J B. Martin Company, Inc.
Acetate, rayon and metallized-polyester film, satin weave with two-color discontinuous supplementary pile warps forming cut voided velvet · 1968
Art Institute of Chicago
Sample (93.30.10.3/25.)
J B. Martin Company, Inc.
Rayon and acetate, plain cut voided velvet · 1968
Art Institute of Chicago
Sample (93.30.10.3/5.)
J B. Martin Company, Inc.
Rayon, triacetate and metallized-polyester film, satin weave with two-color discontinuous pile warps forming cut voided velvet · 1968
Art Institute of Chicago
Entrance Door
Marcel Duchamp
Silkscreen on acetate · 1968
Art Institute of Chicago
King Broadcasting Company Office Building Project, Seattle, WA, Preliminary site development plan
Ludwig Mies van der Rohe
Photostat with pencil on acetate · 1968
Museum of Modern Art
Three Color Separations from S.M.S. No. 2
Alain Jacquet
Screenprint on three acetate sheets · 1968
Museum of Modern Art
Deny II
Bridget Riley
Polyvinyl acetate emulsion paint on canvas · 1967
Tate
Late Morning
Bridget Riley
Polyvinyl acetate paint on canvas · 1967
Tate
Transparency Clip-o-Matic Lips
Joe Tilson
Screenprint on acetate film with metallised film · 1967
Tate
White Portal
Helen Frankenthaler
Three color lithographs from three stones on three sheets of clear acetate, cut and taped onto color lithograph from two stones, with graphite notations on pinkish ivory wove paper · 1967
Art Institute of Chicago
Plate, from Moonstrip Empire News
Eduardo Paolozzi
Screenprint on acetate · 1967
Art Institute of Chicago
Plate, from Moonstrip Empire News
Eduardo Paolozzi
Screenprint in white on acetate · 1967
Art Institute of Chicago