Database / Artworks
Artworks
Diapositive, Empire State Building
Joe Tilson
Screenprint on acetate film, over color dispositive mounted on metallised acetate film, mounted on paper · 1967
Museum of Modern Art
Unused preparatory drawing for In Memory of My Feelings
Lee Krasner
Gouache on acetate · 1967
Museum of Modern Art
Preparatory drawing for In Memory of My Feelings
Lee Krasner
Gouache on two sheets of acetate · 1967
Museum of Modern Art
Sample (83.79.957/4.)
J B. Martin Company, Inc.
Acetate, rayon and metallized-polyester-film strips, satin weave with two-color discontinuous supplementary pile warps forming cut voided velvet · 1966
Art Institute of Chicago
God is Love
Carl Hoeckner
Engraving from an acetate plate on cream wove paper · 1966
Art Institute of Chicago
God is Love
Carl Hoeckner
Engraving from an acetate plate on cream wove paper · 1966
Art Institute of Chicago
Mechanical for Flux Year Box 2
George Maciunas
Acetate film · 1966
Museum of Modern Art
Lock Leg Bedroom Group, Presentation Drawing
Henry P. Glass
Colored pencil and marker on lineprint on paper, mounted on board or acetate · 1965
Art Institute of Chicago
Dragon (Ryû)
Shiryu Morita
Four-panel screen; aluminum-flake pigment in
polyvinyl acetate medium, and yellow alkyd varnish,
on paper · 1965
Art Institute of Chicago
Sample (83.79.958/12.)
J B. Martin Company, Inc.
Rayon, acetate, and silk-wrapped-metallized-polyester film, plain weave with discontinuous supplementary pile warps forming cut voided velvet · 1965
Art Institute of Chicago
"Housetop"-nine block "Half-Log Cabin" Variation
Jessie T. Pettway
Pieced cotton, polyester, cellulose acetate, silk, rayon and acrylic, plain weaves; some with supplementary warps some forming cut voided pile; some self-patterned by main warp and ground weft floats; some printed; plain weave derived float weave; twill weaves, some printed; satin weave; and machine knitting; backed with cotton, plain weave; quilted with cotton threads · 1965
Art Institute of Chicago
Martin Luther King Jr. Memorial Library, Washington, D.C., First floor plan
Ludwig Mies van der Rohe
Pencil, colored pencil, and ink on acetate · 1965
Museum of Modern Art
The Paris Review
Chryssa
Silkscreen on clear acetate · 1965
Museum of Modern Art
Girondella Kinetic Object
Bruno Munari
Acetate, polystyrene, and corundum granules · 1965
Museum of Modern Art
Physichromie No. 123
Carlos Cruz-Diez
Cellulose acetate and wood · 1964
Tate
Large Split Relief No.34/4/74
Sérgio de Camargo
Polyvinyl acetate paint on limewood on plywood support · 1964
Tate
Sandwich and Soda
Roy Lichtenstein
Screenprint on acetate · 1964
Tate
High-Pool
James Rosenquist
Acetate · 1964
Art Institute of Chicago
Time-Life Mural, page thirteen from Recollection
Fritz Glarner
Lithograph with taped acetate and Conté crayon additions on paper · 1964
Art Institute of Chicago
Dragon Knows Dragon (Ryu wa ryu wo shiru)
Shiryu Morita
Four-panel screen; aluminum flake pigment in polyvinyl acetate medium, yellow alkyd varnish, on paper · 1964
Art Institute of Chicago
Social Service Administration Building, University of Chicago, Chicago, IL, Landscape plan
Ludwig Mies van der Rohe
Pencil and ink on acetate · 1964
Museum of Modern Art
Highfield House Apartments, Baltimore, MD, Landscape plan
Ludwig Mies van der Rohe
Pencil and photostat on acetate · 1964
Museum of Modern Art
B16 – Bolide – Box 12, “Archeological”
Hélio Oiticica
Polyvinyl acetate and vinyl-acrylic paint with earth on wood structure, nylon net, corrugated cardboard, mirror, glass, rocks, earth, and fluorescent lamp · 1964
Museum of Modern Art
Brillo Box (Soap Pads)
Andy Warhol
Polyvinyl acetate and silkscreen ink on wood · 1964
Museum of Modern Art