Database / Artworks
Artworks

Guano-Round
Judit Reigl
Oil, alkyd, and acrylic on canvas · 1958
Museum of Modern Art

Around the Blues
Sam Francis
Oil paint and acrylic paint on canvas · 1957
Tate

Northwesterly
Anni Albers
Cotton, rayon, and acrylic, bands of four-color complementary warp plain weave, weft-faced plain weave, weft-faced plain weave of discontinuous wefts, plain weave of discontinuous wefts, and gauze weave; main warp fringe · 1957
Art Institute of Chicago

The Vendor #3
Grace Hartigan
Collage composed of brush and black ink and cut and pasted papers, with acrylic, oil, oil transfer, gouache, and charcoal, on cream wove paper · 1956
Art Institute of Chicago

Untitled
Lygia Pape
Acrylic on wood · 1956
Museum of Modern Art

Sample (Up 146 Q #1)
Robert D. Sailors
Cotton, wool, acrylic, silk, linen, polyester, rayon, and nylon, plain weave · 1955
Art Institute of Chicago

Venice (Furnishing Fabric)
Angelo Testa
Rayon, linen, and acrylic, plain weave · 1955
Art Institute of Chicago

Table Lamp
Yki Nummi
Acrylic · 1955
Museum of Modern Art

Scooter Sunglasses
Mercedes Franchini
Acrylic with metal hardware · 1955
Museum of Modern Art

Sacking and Red
Alberto Burri
Acrylic paint and hessian on canvas · 1954
Tate

Fishnet (Furnishing Fabric)
Ben Rose
Modacrylic and rayon, plain weave; screen printed · 1954
Art Institute of Chicago

Groves (Furnishing Fabric)
Ben Rose
Modacrylic and rayon; screen printed · 1954
Art Institute of Chicago

Work Painted by Throwing a Ball (Tōkyū kaiga)
Saburo Murakami
Acrylic on paper · 1954
Museum of Modern Art

New York, VIII
Hedda Sterne
Acrylic on canvas · 1954
Museum of Modern Art

Sample (Drapery Fabric)
Dorothy Liebes
Acrylic, gauze weave with paired wefts · 1953
Art Institute of Chicago

Self-Portrait
Wucius Wong
Acrylic paint and Chinese ink on wove paper · 1953
Art Institute of Chicago

Untitled
Carmen Herrera
Acrylic on canvas · 1952
Museum of Modern Art

Sample
Mary Evans Landis
Silk, wool, acrylic, wild silk, and probably polyethylene film, point twill weave; warp fringe · 1951
Art Institute of Chicago

Great Meadows (recto); Untitled (Landscape) (verso)
Helen Frankenthaler
Watercolor and acrylic on paper (recto); Watercolor on paper (verso) · 1951
Museum of Modern Art

Amish "Bar Pattern" Crib Quilt
Amish
Wool, rayon, and acetate, plain and twill weaves; pieced; backed with cotton, plain weave; nylon and acrylic knit batting; quilted with cotton thread · 1950
Art Institute of Chicago

Rug Sample
Marianne Strengell
Linen, nylon, cotton, wool, modacrylic metallic strip encased in polyester film, weft-faced plain weave with supplementary wrapping wefts forming cut and uncut pile through a technique known as "Ghiordes knots;" knotted warp fringe · 1950
Art Institute of Chicago

Untitled
Robert Natkin
Acrylic paint on frosted mylar · 1950
Art Institute of Chicago

Carpet Panel for Radio City Music Hall
Ruth Reeves
Cotton, acrylic, and jute, plain weave with supplementary backing wefts and supplementary pile wefts forming cut solid pile; edges bound with cotton, 2:2 twill weave tape; machine woven · 1950
Art Institute of Chicago

Sample (Drapery Fabric)
Dorothy Liebes
Wool and acrylic, twill weave · 1948
Art Institute of Chicago