Database / Artworks
Artworks
American Collection #5: Bessie's Blues
Faith Ringgold
Cotton-, rayon-, nylon-, and polyester- blend fabrics; acrylic paint · 1997
Art Institute of Chicago
Lygia Sleeping and Dreaming (Portrait of Lygia Pape)
Eduardo Costa
Acrylic paint · 1997
Museum of Modern Art
Vowel #98 (O)
Edward Ruscha
Acrylic paint on book cover · 1996
Tate
Vowel #64 (E)
Edward Ruscha
Acrylic paint on book cover · 1996
Tate
June Painting, Ultramarine and Yellow
Wilhelmina Barns-Graham
Acrylic paint on canvas · 1996
Tate
Untitled (emergency room)
Fiona Rae
Oil paint and acrylic paint on canvas · 1996
Tate
Knowing
Michael Craig-Martin
Acrylic paint on canvas · 1996
Tate
Mount Kisco Studio
John Walker
Woodcut, acrylic paint and dye on paper · 1996
Tate
RED ROOSTER
Edward Ruscha
Acrylic paint and graphite on lithograph on paper · 1996
Tate
SOAPY SMITH
Edward Ruscha
Acrylic paint on paper · 1996
Tate
Man under a Pyramid
Anselm Kiefer
Emulsion, acrylic paint, shellac and ash on 2 canvases · 1996
Tate
Untitled
Jessica Stockholder
Acrylic paint, oil paint on glass, wooden shingles, wire mesh, green wire, hardware, acrylic yarn, scarf, thread, and silicone caulking · 1996
Art Institute of Chicago
Untitled
Mehrdad Yazdani
Acrylic paint on plywood · 1996
Museum of Modern Art
St Germain
Albert Irvin
Acrylic paint on canvas · 1995
Tate
Head
Tony Bevan
Acrylic paint on canvas · 1995
Tate
Leak
Kay Rosen
Acrylic paint on wall · 1995
Art Institute of Chicago
Black Painting
Eduardo Costa
Acrylic paint · 1995
Museum of Modern Art
SQ 6 (1)
Marc Vaux
Aluminium, wood, cellulose and acrylic paint · 1994
Tate
Away from the Flock
Damien Hirst
Glass, stainless steel, Perspex, acrylic paint, lamb and formaldehyde solution · 1994
Tate
Controlled Substance Key Painting
Damien Hirst
Acrylic paint on canvas · 1994
Tate
Untitled #5
Agnes Martin
Acrylic paint and graphite on canvas · 1994
Tate
Crystal Blue Cathedral
Raymond Pettibon
Translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, folded into multiple signatures and sewn through the fold in a quarter-cloth binding with marbled paper covered boards with loose collage elements and blue ribbon page marker · 1994
Art Institute of Chicago
Wholly Bibles
Raymond Pettibon
Black acrylic paint and black ink on cream handmade paper in a paper-case binding, stab-sewn with heavy cord · 1994
Art Institute of Chicago
Bleating Heart
Raymond Pettibon
Book with brush and inks and watercolor, with red colored pencil and traces of red acrylic paint, on white wove paper, folded into multiple signatures and sewn through the fold in a full-faux leather flat-back binding with a ribbon page marker · 1994
Art Institute of Chicago