Database / Artworks
Artworks

Shock Troops Advance under Gas (Sturmtruppe geht unter Gas vor) from The War (Der Krieg)
Otto Dix
Etching, aquatint, and drypoint from a portfolio of fifty etching, aquatint, and drypoints · 1924
Museum of Modern Art

Omens, plate 41 from Miserere
Georges Rouault
Heliogravure, with aquatint, roulette, burnishing, and drypoint on paper · 1923
Art Institute of Chicago

We Believe Ourselves to be Kings, plate seven from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, scraping, burnishing, and roulette on paper · 1923
Art Institute of Chicago

Jersey Hills
George Overbury ("Pop") Hart
Drypoint and sandpaper, with aquatint, on ivory wove paper · 1923
Art Institute of Chicago

Madame Korobotchka, plate XV (supplementary suite) from Les Âmes mortes
Marc Chagall
Etching, aquatint, and drypoint · 1923
Museum of Modern Art

The Tavern (La Maison du traktir), plate XX (supplementary suite) from Les Âmes mortes
Marc Chagall
Etching, aquatint, and drypoint · 1923
Museum of Modern Art

Nozdriov, plate XXII (supplementary suite) from Les Âmes mortes
Marc Chagall
Etching, aquatint, and drypoint · 1923
Museum of Modern Art

Trial proof for We Think Ourselves Kings, plate VII from Miserere
Georges Rouault
Aquatint, lift ground aquatint, and drypoint with roulette over photogravure · 1923
Museum of Modern Art

Trial proof for "Have Mercy Upon Me, Oh God, According to Thy Loving Kindness", plate I from Miserere
Georges Rouault
Aquatint, lift ground aquatint, and drypoint over photogravure · 1923
Museum of Modern Art

It is By His Wounds that We are Healed, plate 58 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and roulette on paper · 1922
Art Institute of Chicago

In the Wine-Press, the Grape was Crushed, plate 48 from Miserere
Georges Rouault
Heliogravure, with aquatint, roulette, and drypoint on paper · 1922
Art Institute of Chicago

Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, scraping, burnishing, drypoint on paper · 1922
Art Institute of Chicago

Winter, Earth's Leper, plate 24 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, drypoint, roulette and burnishing on paper · 1922
Art Institute of Chicago

Street of the Lonely, plate 23 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, roulette, drypoint on paper · 1922
Art Institute of Chicago

A Girl, Called Joy, plate fourteen from Miserere
Georges Rouault
Heliogravure, with aquatint, scraping, burnishing and drypoint on paper · 1922
Art Institute of Chicago

The Privileged Lady Thinks She has a Reserved Seat in Heaven, plate sixteen from Miserere
Georges Rouault
Heliogravure with aquatint, scraping, burnishing and roulette on paper · 1922
Art Institute of Chicago

His lawyer, in hollow phrases, proclaims his total thoughtlessness, plate nineteen from Miserere
Georges Rouault
Aquatint, roulette, drypoint and surface etching over a heliogravure on paper · 1922
Art Institute of Chicago

Seek Refuge in Your Heart, Poor Barefoot One..., plate four from Miserere
Georges Rouault
Heliogravure, aquatint, and roulette on cream laid paper · 1922
Art Institute of Chicago

Forever Scourged, plate three from Miserere
Georges Rouault
Heliogravure, aquatint, and roulette printed in black on paper · 1922
Art Institute of Chicago

Sometimes one finds a beautiful path..., plate nine from Miserere
Georges Rouault
Heliogravure, aquatint, roulette, drypoint on paper · 1922
Art Institute of Chicago

Trial proof for Eternally Scourged..., plate III from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1922
Museum of Modern Art

Trial proof for The Condemned is Led Away..., plate XVIII from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions · 1922
Museum of Modern Art

Trial proof for Death Took Him As He Rose From His Bed of Nettles, plate XLV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1922
Museum of Modern Art

Trial proof for It is Hard to Live..., plate XII from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure · 1922
Museum of Modern Art