Database / Artworks
Artworks
Trial proof for Take Refuge in Your Heart, Miserable Vagabond, plate IV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions · 1922
Museum of Modern Art
Trial proof for Street of the Lonely, plate XXIII from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure, with pen and ink additions · 1922
Museum of Modern Art
We Are Insane (Nous sommes fous...), plate XXXIX from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
"Winter, Leper of the Earth" («Hiver lèpre de la terre»), plate XXIV from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
"We All Must Die, We and All We Possess" («Nous devons mourir, nous et tout ce qui est nôtre») plate XLIII from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
Sometimes the Way Is Beautiful... (Arrive parfois que la route soit belle...), plate IX from Miserere
Georges Rouault
Aquatint, etching, and drypoint with roulette over photogravure from an illustrated book with 22 aquatints over photogravure (19 with drypoint, 18 with roulette, five with etching) · 1922
Museum of Modern Art
The Bar
Louis Marcoussis
aquatint, etching and drypoint · 1920
Cleveland Museum of Art
Allegro
Arthur B. Davies
Soft ground etching, with aquatint, on white laid paper · 1919
Art Institute of Chicago
Song of Sleep
Arthur B. Davies
Soft ground etching, with aquatint, on cream wove paper · 1919
Art Institute of Chicago
Strength in Shadow
Arthur B. Davies
Soft ground etching, with drypoint and aquatint, on cream wove paper · 1919
Art Institute of Chicago
Toil of Three
Arthur B. Davies
Soft ground etching, with aquatint, on cream wove paper · 1919
Art Institute of Chicago
Tartessians
Arthur B. Davies
Soft ground etching, with aquatint, on ivory wove paper · 1919
Art Institute of Chicago
Profile
Arthur B. Davies
Soft ground etching, with drypoint and aquatint, on cream wove paper · 1919
Art Institute of Chicago
Kingdom of the Sun
Arthur B. Davies
Soft ground etching, with drypoint and aquatint, on blue laid paper · 1919
Art Institute of Chicago
Amber Garden
Arthur B. Davies
Color soft ground etching, with aquatint, on light blue laid paper · 1919
Art Institute of Chicago
Antique Mirror
Arthur B. Davies
Color soft ground etching, with aquatint, on light blue laid paper · 1919
Art Institute of Chicago
Pompeian Veil
Arthur B. Davies
Soft ground etching, with aquatint, on ivory wove paper · 1918
Art Institute of Chicago
Fountain of Youth
Arthur B. Davies
Soft ground etching, aquatint, and graphite on off-white wove paper · 1918
Art Institute of Chicago
Woman, Children, and Two Boys with a Pipe (Femme, enfants et deux garçons à la pipe) (plate, folio 40) from Hommage à Roger Lacourière
Jules Pascin
Etching and drypoint from an illustrated book with twelve etchings (two with aquatint, two with drypoint, one with aquatint and drypoint) and one drypoint · 1918
Museum of Modern Art
Sappers at Work on the Vistula (Pionierarbeit an der Weichsel)
Oskar Laske
Etching and aquatint, printed in black · 1915
Museum of Modern Art
The New Bedford
Walter Richard Sickert
Drypoint, aquatint, soft ground etching on cream wove paper · 1914
Art Institute of Chicago
Dawn
Theodore Roussel
Color etching, aquatint, soft ground, and drypoint on ivory wove paper · 1912
Art Institute of Chicago
A Study for the Figure of Dawn (Second Version)
Theodore Roussel
Drypoint, aquatint, and softground etching from three plates in gold on ivory laid paper · 1912
Art Institute of Chicago
Hamburg: River Port
Emil Nolde
Etching and aquatint, with scraping and burnishing, on laid white paper · 1910
Art Institute of Chicago