Database / Artworks
Artworks

Evocation (Evocation)
Max Klinger
Etching, engraving, aquatint, and mezzotint · 1894
The Metropolitan Museum of Art

By the Pond
Mary Cassatt
Color drypoint and aquatint, from three plates on greenish-gray laid paper · 1893
Art Institute of Chicago

A Rainy Night, Madison Square
Charles Frederick William Mielatz
etching, aquatint, and roulette on Japanese paper · 1890
National Gallery of Art

The Sleeping Model or The Sleeper
Theodore Roussel
Color etching, drypoint, and aquatint, with plate tone, on ivory wove paper · 1890
Art Institute of Chicago

Summer (Color Version)
Theodore Roussel
Color etching, aquatint, and lavis on ivory laid paper · 1890
Art Institute of Chicago

Poppy in a Vase
Theodore Roussel
Soft ground etching, aquatint, and drypoint in black on ivory wove paper · 1890
Art Institute of Chicago

A Nymph Bathing, Moonlight
Theodore Roussel
Soft ground etching, aquatint, and drypoint in black on thin cream Japanese paper · 1890
Art Institute of Chicago

The Lamp
Mary Cassatt
Color aquatint, drypoint, and soft ground from three plates, on off-white laid paper · 1890
Art Institute of Chicago

Feeding the Ducks
Mary Cassatt
Color drypoint and aquatint, with monotype inking, on cream laid paper · 1890
Art Institute of Chicago

Woman at the Gate
Camille Pissarro
Etching, aquatint, and drypoint in black on green-blue laid paper · 1889
Art Institute of Chicago

Robert Besnard and His Donkey (Robert Besnard et son ane)
Albert Besnard
etching, aquatint, and drypoint on BFK Rives wove paper · 1888
National Gallery of Art

Funeral Procession on the Boulevard Clichy
Félix Hilaire Buhot
Soft ground etching and aquatint, with drypoint and plate tone, inked à la poupée in blue and black, with hand-additions of gold metallic paint, on tan wove paper · 1887
Art Institute of Chicago

Boats in a Morning Fog
Henri Charles Guérard
etching, aquatint, and roulette on simili Japan · 1887
National Gallery of Art

The Silk Gown (La Robe de Soie)
Albert Besnard
etching, drypoint, aquatint, and roulette in brown on Arches laid paper · 1887
National Gallery of Art

Maturity
Félicien Rops
Aquatint, soft varnish ("vernis mou") and drypoint on cream laid paper · 1887
Art Institute of Chicago

Misery (La Misère)
Albert Besnard
etching, aquatint, drypoint, and printed tone on laid Van Gelder paper · 1886
National Gallery of Art

Social Triumph (Le Triomphe mondain)
Albert Besnard
etching, aquatint, and printed tone on laid japan paper · 1886
National Gallery of Art
The Cliff: Bay of Saint-Malo
Félix Hilaire Buhot, French
etching, drypoint, aquatint, and roulette · 1886
Cleveland Museum of Art

View of Pontoise
Camille Pissarro
Etching, aquatint, and drypoint in black on cream Japanese paper · 1885
Art Institute of Chicago

Christ and the Samaritan Woman, from A Life
Max Klinger
Drypoint and aquatint, with etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

The Proposition, from A Life
Max Klinger
Etching and aquatint, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

On the Street, plate nine from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Into the Gutter!, plate ten from A Life
Max Klinger
Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago

Rivals, plate seven from A Life
Max Klinger
Etching and aquatint, with roulette, stipple and drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago