Database / Artworks
Artworks
Chinese Gallery As It Was, Plate XV in Illustrations of Her Majesty's Palace at Brighton...Printed by T. Sutherland, Frederic Lewis, Robert Havel Jr., and M. Dubourg. Published by J. B. Nichols and Son, London, England, 1838.
John Nash
interiors, bound print — etching and aquatint, brush and watercolor, letterpress on white wove paper mounted on heavy tan board, ruled lines in color and gold paint · 1820
Cooper Hewitt, Smithsonian Design Museum
Richmond Park Entrance
Thomas Sutherland
Aquatint, heightened with watercolor, on paper · 1819
Art Institute of Chicago
View of Richmond from the Bridge
Thomas Sutherland
Aquatint, heightened with watercolor, on paper · 1819
Art Institute of Chicago
A View on the Highgate Road
Charles Hunt
Etching and aquatint, with hand coloring, on paper · 1817
Art Institute of Chicago
Saint Albans Grand Steeple Chase
James Pollard, English
Etching and aquatint, with hand-coloring, on paper · 1817
Art Institute of Chicago
A View on the Highgate Road
Charles Hunt
Etching and aquatint, with hand coloring, on paper · 1817
Art Institute of Chicago
Saint Albans Grand Steeple Chase
James Pollard
Etching and aquatint, with hand-coloring, on paper · 1817
Art Institute of Chicago
Saint Albans Grand Steeple Chase
James Pollard
Etching and aquatint, with hand-coloring, on paper · 1817
Art Institute of Chicago
Saint Albans Grand Steeple Chase
James Pollard
Etching and aquatint, with hand-coloring, on paper · 1817
Art Institute of Chicago
Saint Albans Grand Steeple Chase
James Pollard
Etching and aquatint, with hand-coloring, on paper · 1817
Art Institute of Chicago
Disparate pobre (Poor Folly)
Francisco Goya
etching, burnished aquatint, drypoint and burin [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Bobalicon (Simpleton)
Francisco Goya
etching, burnished aquatint, burin and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art
Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Banderillas de fuego (Banderillas with Firecrackers)
Francisco Goya
etching, burnished aquatint, lavis, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Pedro Romero matando a toro parado (Pedro Romero Killing the Halted Bull)
Francisco Goya
etching, aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte")
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
El celebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
El esforzado Rendon picando un toro, de cuya suerte murio en plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, and burin [first edition impression] · 1816
National Gallery of Art
El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)
Francisco Goya
etching, burnished aquatint, lavis, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves against the Bull Whose Horns have been Tipped with Balls)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art
Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)
Francisco Goya
etching, burnished aquatint, drypoint and burin [first edition impression] · 1816
National Gallery of Art