Database / Artworks
Artworks
Welding
Allan Freelon
Aquatint and etching in black on ivory wove paper · 1930
Art Institute of Chicago
Dance of Centaurs
George Overbury ("Pop") Hart
Aquatint and etching · 1926
Museum of Modern Art
Odalisque on a Terrace (Odalisque sur la terrasse), After Matisse
Jacques Villon
Aquatint and etching · 1922
Museum of Modern Art
Trial proof for And Of The Lost Life of the Prostitue Who Gave Herself For A Bone To Gnaw, rejected plate from Miserere
Georges Rouault
Aquatint and etching with roulette over photogravure · 1922
Museum of Modern Art
Fountain Square: Night (Cincinnati)
Edward Timothy Hurley
aquatint and etching on paper · 1921
Smithsonian American Art Museum
Soldier Working (Soldat astiquant)
Jacques Villon
Aquatint and etching · 1907
Museum of Modern Art
The Haulers (Les Petits haleurs)
Jacques Villon
Aquatint and etching · 1907
Museum of Modern Art
Merry-go-round (Manège de cochons)
Jacques Villon
Aquatint and etching · 1907
Museum of Modern Art
La Parisienne (Yvonne Duchamp-Villon)
Jacques Villon
Aquatint and etching · 1904
Museum of Modern Art
The Game of Solitaire (Les Cartes)
Jacques Villon
Aquatint and etching · 1903
Museum of Modern Art
Makeup (Le Maquillage)
Jacques Villon
Aquatint and etching · 1900
Museum of Modern Art
Woman and Mannequin (La Femme au Mannequin or La Femme et le pantin)
Jacques Villon
Aquatint and etching with watercolor additions · 1899
Museum of Modern Art
Spanish Dancer (Danseuse espagnole)
Jacques Villon
Aquatint and etching · 1899
Museum of Modern Art
The Negro (Le Nègre en bonne fortune)
Jacques Villon
Aquatint and etching · 1899
Museum of Modern Art
The Philosopher (Der Philosoph) (plate, preceding p. 97) from the periodical Pan, vol. 1, no. 2 (Jul-Aug 1895)
Max Klinger
Aquatint and etching · 1895
Museum of Modern Art
Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale
Charles Maurin
Aquatint and etching in brown on ivory wove paper · 1893
Art Institute of Chicago
Portrait of Toulouse-Lautrec, from the first album of L'Estampe originale
Charles Maurin
Aquatint and etching in brown on ivory wove paper · 1893
Art Institute of Chicago
The Solferino Bridge: Nocturnal Effect
Eugène Delâtre
color aquatint and etching · 1893
Cleveland Museum of Art
Back into Nothingness, plate fifteen from A Life
Max Klinger
Aquatint and etching on ivory China paper laid down on cream laid paper · 1884
Art Institute of Chicago
On the Street, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Chained, plate eleven from A Life
Max Klinger
Aquatint and etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Temptation, plate four from A Life
Max Klinger
Aquatint and etching, with roulette on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Preface I, plate two from A Life
Max Klinger
Aquatint and etching, with burnishing in plate on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
Finis, from A Life
Max Klinger
Aquatint and etching, with drypoint on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago