Database / Artworks
Artworks
Plate V, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching in green on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching from one plate in black ink with embossing on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching in black and embossing in white on ivory wove paper · 1967
Art Institute of Chicago
Plate I from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Plate I from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Plate I from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Plate I from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching on ivory wove paper · 1967
Art Institute of Chicago
Etching One
Lee Bontecou
Aquatint with etching from one plate in black ink on cream wove paper · 1967
Art Institute of Chicago
The Little Harbor
Emil Ganso
Aquatint with etching in black on ivory laid paper · 1935
Art Institute of Chicago
Flood Time, Pearl Street, Cincinnati
Edward Timothy Hurley
Aquatint with etching in black on cream laid paper · 1917
Art Institute of Chicago
Washerwomen
Auguste Louis Lepère, French
color softground etching and aquatint with etching · 1893
Cleveland Museum of Art
Wooded Lane at Pontoise
Camille Pissarro
Aquatint with etching in black on ivory laid paper · 1879
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago