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118 records · Aquatint with etching
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery
Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of American Scenery
Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery
View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery
View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago
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