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Artworks

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John William Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Henry Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Norfolk; From Gosport, Virginia, plate five of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Burning of Savannah, plate four of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Lynnhaven Bay, plate one of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View By Moonlight, Near Fayetteville, plate three of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Spirit Creek; Near Augusta, Georgia, plate two of the second number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Falls of St. Anthony on the Mississippi, plate seven of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View Near the Schuylkill Falls, Pennsylvania, plate five of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago