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Artworks

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

Washington's Sepulchre, Mt Vernon, Virginia, plate two of the first number of Picturesque Views of American Scenery
John Hill
Aquatint with etching and hand-coloring on cream wove paper · 1819
Art Institute of Chicago

View of the Louvre and the Pont Neuf, from Vues des Tuileries)
Charles Melchior Descourtis
Color aquatint with etching and engraving in black ink on cream laid paper · 1789
Art Institute of Chicago

Les Chagrins de L'Enfance (The Sorrows of Children)
Louis Lecoeur
Color aquatint with etching and engraving in black ink on ivory laid paper · 1789
Art Institute of Chicago

Promenade du Jardin du Palais Royal (The Palais Royal Garden Walk)
Louis Lecoeur
Color aquatint with etching and engraving in black ink on cream laid paper · 1787
Art Institute of Chicago

View of Port St. Bernard
Charles Melchior Descourtis
Color aquatint with etching and engraving in black ink on cream laid paper · 1783
Art Institute of Chicago

Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Paul Sandby
Aquatint with etching on cream laid paper · 1777
Art Institute of Chicago

Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Paul Sandby Munn
Aquatint with etching on cream laid paper · 1777
Art Institute of Chicago

Pont-Aber-Glassin, plate seven from Twelve Views in Wales
Thomas Paul Sandby
Aquatint with etching on cream laid paper · 1777
Art Institute of Chicago

View Up Neath River from the House at Briton Ferry in Glamorgan Shire, plate five from Twelve Views in South Wales
Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

Chepstow Castle in Monmouth Shire, plate one from Twelve Views in South Wales
Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

The South Gate of Cardiff Castle in Glamorgan Shire, plate two from Twelve Views in South Wales
Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

North West View of St Donat's Castle, plate four from Twelve Views in South Wales
Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

Chepstow Castle in Monmouth Shire, plate one from Twelve Views in South Wales
Paul Sandby Munn
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

North West View of St Donat's Castle, plate four from Twelve Views in South Wales
Paul Sandby Munn
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

North West View of St Donat's Castle, plate four from Twelve Views in South Wales
Thomas Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

The South Gate of Cardiff Castle in Glamorgan Shire, plate two from Twelve Views in South Wales
Thomas Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

View Up Neath River from the House at Briton Ferry in Glamorgan Shire, plate five from Twelve Views in South Wales
Thomas Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

Chepstow Castle in Monmouth Shire, plate one from Twelve Views in South Wales
Thomas Paul Sandby
Aquatint with etching on ivory laid paper · 1775
Art Institute of Chicago

La Rixe (The Brawl)
Charles Melchior Descourtis
Color aquatint with etching and engraving in black ink on ivory wove paper · 1773
Art Institute of Chicago

Vue du Schild-Wald-Bach, Prise Enhiver (View of Schild-Wald Bach, from the Vues remarquables des montagnes des la Suisse )
Charles Melchior Descourtis
Color aquatint with etching and engraving in black ink on ivory laid paper · 1773
Art Institute of Chicago

La Danse Russe (The Russian Dance)
Prince
Aquatint with etching on ivory laid paper · 1769
Art Institute of Chicago