Database / Artworks
Artworks

Variant of Bather (18th supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Variant of Woman in an Armchair (23rd supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Head, Dancer, Bather, and Woman in an Armchair superimposed (5th supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Head, Dancer, Bather, and Woman in an Armchair superimposed (6th supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Bather (plate, page 49) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Dancer (plate, page 35) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Head, Dancer, Bather, and Woman in an Armchair superimposed (7th supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving over line block reproduction after wash drawing · 1942
Museum of Modern Art

Ryōkan shi (poemy) - Jūjigaitō Byōbu (Written in ink by Rosanjin)
Kitaoji Rosanjin
washi · 1941

Untitled
László Moholy-Nagy
Pen and black ink, with brush and gray wash, touches of orange and ochre gouache and orange colored pencil, over graphite, on ivory wove paper · 1941
Art Institute of Chicago

Cupola
Henry Moore
Brush and black and gray wash, with pen and purple ink, on ivory wove paper · 1941
Art Institute of Chicago

Shelter Scene
Henry Moore
Colored crayons, with pen and black ink and brush and gray wash, over graphite, on ivory wove paper · 1941
Art Institute of Chicago

Ciphers and Constellations in Love with a Woman
Joan Miró
Opaque watercolor with watercolor washes on ivory, rough textured wove paper · 1941
Art Institute of Chicago

Seated Woman (recto); Study (verso)
Pablo Picasso
Pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper · 1941
Art Institute of Chicago

The Beautiful Bird Revealing the Unknown to a Pair of Lovers (Le Bel oiseau déchiffrant l'inconnu au couple d'amoureux) (from the Constellation series)
Joan Miró
Gouache, oil wash, and charcoal on paper · 1941
Museum of Modern Art

Peacock Chair
Hans Wegner
Ash, teak, and paper cord · 1940
Art Institute of Chicago

Screaming Head
Julio González
Pen and black ink, with brush and gray wash, over graphite on off-white laid paper · 1940
Art Institute of Chicago

Dark, Dark Land
Lee Chesney
Brush and black, gray and brown wash, on cream Japanese paper · 1940
Art Institute of Chicago

Cape Cod, No. 12
George Grosz
Watercolor, with gouache and touches of silver metallic paint, on ivory wove paper, prepared with a yellow watercolor wash · 1939
Art Institute of Chicago

State Street Sadie
Joseph Friebert
Brush and gray wash and pen and black ink, with graphite on cream wove paper · 1939
Art Institute of Chicago

Sketchbook
Paul Delvaux
Pen and ink and wash on paper · 1939
Museum of Modern Art

Sketchbook
Paul Delvaux
Pen and ink and wash on paper · 1939
Museum of Modern Art

Sketchbook
Paul Delvaux
Pen and ink and wash on paper · 1939
Museum of Modern Art

Sketchbook
Paul Delvaux
Pen and ink and wash on paper · 1939
Museum of Modern Art

Sketchbook
Paul Delvaux
Pen and ink and wash on paper · 1939
Museum of Modern Art