Artworks

Jacopo Negretti, called Palma Giovane

Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized) over traces of black chalk, on tan laid paper, laid down on cream wove card · 1610

Philippe de Champaigne

Black chalk, pen and brown ink, brush and gray wash · 1610

François Perrier

Pen and brown ink and brush and brown wash and white gouache, over black chalk, on gray laid paper, laid down on gray wove card · 1610

François Perrier

Pen and brown ink, with brush and brown wash, over black chalk, on blue tinted laid paper, laid down on card · 1610

Peter Schmidt

Pen and black ink, brush and gray wash, heightened with white · 1609

Peter Schmidt

Pen and black ink, brush and gray wash, heightened with white · 1609

Domenico Gargiulo

Pen and brown ink, brush and brown wash · 1609

Domenico Gargiulo

Pen and brown ink, brush and violet wash · 1609

Peter Schmidt

Pen and black ink, brush and gray wash, heightened with white · 1609

Herman Saftleven

black chalk and brush and brown wash; framing lines in graphite (top) and black ink · 1609

Herman Saftleven, Dutch

black chalk and brush and brown wash; framing lines in graphite (top) and black ink · 1609

Bartholomeus Breenbergh, Dutch

Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory wove paper, laid down on card · 1609

Jacopo Negretti, called Palma Giovane

Pen and brown ink with brush and brown wash, heightened with lead white, on brown laid paper, laid down on ivory wove paper · 1609

Bartholomeus Breenbergh

Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory wove paper, laid down on card · 1609

Francesco Fanelli

Pen and black and brown ink, brush and gray wash over traces of graphite, with vertical line in graphite through the center to create the symmetry of the design · 1608

Jusepe de Ribera

Brush and brown wash heightened with lead white (discolored) over black chalk, on tan laid paper · 1608

David Vinckboons

Pen and brown ink, brush and brown ink, brown wash, heightened with white, on antique laid paper partially prepared with green watercolor, double framing lines in brown ink and gold leaf (recto); black chalk (verso) · 1608

Francesco Allegrini

Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, tipped onto ivory laid paper · 1607

Francesco Allegrini

Pen and brown ink with brush and brown wash, heightened with white gouache, over black chalk, on buff laid paper · 1607

Francesco Allegrini

Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, tipped onto ivory laid paper · 1607

Francesco Allegrini

Pen and brown ink with brush and brown wash, heightened with white gouache, over black chalk, on buff laid paper · 1607

Guido Reni

Pen and brown ink, with brush and brown wash, heightened with gold paint, over black chalk, on brown laid paper, squared in black chalk, laid down on board · 1607

Giacinto Gimignani

Pen and brown ink, brush and blue-gray wash, highlighted with white, over black chalk; framing lines in pen and black ink · 1606

HERMANN

Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper · 1606