Database / Artworks
Artworks
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Huntsmen and Company Observing Dogs Retrieving Ducks in a Pond (The Month of April)
Pieter Stevens
Pen and brown and black ink, brown wash, watercolor and gouache, over black chalk · 1605
The Metropolitan Museum of Art
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
David with the Head of Goliath
Attr. Guido RENI
Pen and brown ink and brush and brown wash on cream laid paper, laid down on tan wove card · 1605
Art Institute of Chicago
A Wooded Landscape with Travellers by the Roadside, a Stream beyond
Herman van Swanevelt
Pen and brown ink, brush and gray wash, framing line in black ink · 1605
The Metropolitan Museum of Art
David with the Head of Goliath
apres Guido Reni
Pen and brown ink and brush and brown wash on cream laid paper, laid down on tan wove card · 1605
Art Institute of Chicago
The Flight into Egypt
Jacques Stella
Pen and brown ink, brush and gray wash, heightened with white · 1605
The Metropolitan Museum of Art
Sheet of Sketches: Beheading of a Saint (recto); Several Slight Figure Sketches (verso)
Giovanni Biliverti
Red chalk, with brush and red chalk wash (recto), and red chalk (verso), on ivory laid paper · 1605
Art Institute of Chicago
The Beech Tree of the Madonna at La Verna
Jacopo Ligozzi
Pen and brown ink, brush and brown wash and with traces of gray wash, over black chalk · 1605
The Metropolitan Museum of Art
Saint Nicholas of Bari
Jacopo da Empoli
pen and brown ink with brush and blue wash, over black chalk, squared in red chalk · 1605
National Gallery of Art
The Birth of the Virgin
Ventura Salimbeni
pen and brown and red ink with brown and sanguine wash over red chalk, heightened with white gouache and squared in red chalk on laid paper washed ochre · 1605
National Gallery of Art
Wooded Landscape with a Road
Lodewijk de Vadder
black, yellow, and red chalks with white heightening over gray wash on laid paper · 1605
National Gallery of Art
The Nativity with Saints Francis and Agnes
Lodovico Carracci
pen and brown ink and brown wash with white heightening over black chalk; traces of incising · 1605
National Gallery of Art
Martyrdom of a Female Saint (Agnes?)
Camillo Procaccini
Charcoal, brush and gray wash, highlighted with white gouache, on brown paper; ruled lines in pen and brown ink · 1605
The Metropolitan Museum of Art
Adam in the Garden of Eden, Naming the Animals
Joachim Antonisz. Wtewael
Pen and black ink, brush and gray wash, heightened with white · 1605
The Metropolitan Museum of Art
Wooded Landscape with a House beside a River
Lucas van Uden
Pen and brown ink, brown, blue, and gray wash · 1605
The Metropolitan Museum of Art
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Abraham Bloemaert, Dutch
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso) · 1605
Art Institute of Chicago
Peasant's Cottage (recto)
Abraham Bloemaert, Dutch
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Bridge and Gate (verso)
Abraham Bloemaert, Dutch
pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk · 1605
Cleveland Museum of Art
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert, Dutch
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Study for a Three-Quarter-Length Portrait of a Gentleman (recto), Study of a Clothed Figure and a Foot (verso)
Mario Balassi
Red chalk, highlighted with white gouache, on red-washed paper (recto); black chalk studies of drapery which is washed in blue (verso) · 1605
The Metropolitan Museum of Art
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Abraham Bloemaert
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso) · 1605
Art Institute of Chicago
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Bridge and Gate (verso)
Abraham Bloemaert
pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk · 1605
Cleveland Museum of Art