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Artworks

6,867 records · Ash
Liam
Liam
Elizabeth Peyton
Ink wash and pencil on paper · 1996
Museum of Modern Art
Untitled
Untitled
Raymond Pettibon
Pen and brush and black ink with gray wash on white wove paper · 1995
Art Institute of Chicago
Untitled (tree decoration scheme)
Untitled (tree decoration scheme)
Jennifer Pastor
Ink and wash on paper · 1994
Museum of Modern Art
Small Krate Tables: 1-6
Small Krate Tables: 1-6
Sherrie Levine
Unfinished ash and construction screws · 1993
Art Institute of Chicago
Garden #16
Garden #16
Julia Fish
Brush and black ink wash on white wove paper, squared in orange for oriental character excercises · 1993
Art Institute of Chicago
Garden #22
Garden #22
Julia Fish
Brush and black ink wash on white wove paper, squared in orange for oriental character excercises · 1993
Art Institute of Chicago
Garden #8 (revised)
Garden #8 (revised)
Julia Fish
Brush and black ink wash on white wove paper, squared in orange for oriental character excercises · 1993
Art Institute of Chicago
Untitled
Untitled
Martin Puryear
Ink wash, conté crayon, and pencil on cut-and-taped colored paper · 1993
Museum of Modern Art
A Turkey Before Thanksgiving
A Turkey Before Thanksgiving
William Steig
Pen and black ink and brush with gray wash on ivory wove paper · 1992
Art Institute of Chicago
Untitled (Girl with gun) from the series Time of My Life
Untitled (Girl with gun) from the series Time of My Life
Yoshitomo Nara
Pen and ink and wash on card · 1992
Museum of Modern Art
The Acquired Inability to Escape
The Acquired Inability to Escape
Damien Hirst
Glass, steel, silicone rubber, Formica, fibreboard, chair, ashtray, lighter and cigarettes · 1991
Tate
My Blood
My Blood
Jimmie Durham
Watercolor, crayon, and brush and handprint in brown ink on ivory wove paper, cut and collaged onto ivory wove paper prepared with blood mixed with pink wash, with black fiber-tipped pen and cut and pasted black laser printed label · 1991
Art Institute of Chicago
<i>Untitled</i>/"The history of modern painting, to label it with a phrase, has been the struggle against the catalogue"--Barnett Newman/(Monochrome Painting, 1988-1989)
<i>Untitled</i>/"The history of modern painting, to label it with a phrase, has been the struggle against the catalogue"--Barnett Newman/(Monochrome Painting, 1988-1989)
Stephen Prina
Ink wash on rag, barrier paper, and cardboard, 67 parts · 1991
Museum of Modern Art
Battle Strategy
Battle Strategy
Sheila Hicks
Hand-made paper (washi); stitched with silk thread · 1990
Art Institute of Chicago
After Degas
After Degas
Howard Hodgkin
Color carborundum etching, with green tempera wash, on ivory wove paper · 1990
Art Institute of Chicago
Untitled from the Museum in Progress project The Message as Medium
Untitled from the Museum in Progress project The Message as Medium
Clegg and Guttmann
Ten Cash Flow magazines · 1990
Museum of Modern Art
Optimistic (Optimistisch)
Optimistic (Optimistisch)
Georg Baselitz
Woodcut and ink wash · 1990
Museum of Modern Art
Optimistic (Optimistisch)
Optimistic (Optimistisch)
Georg Baselitz
Woodcut and ink wash · 1990
Museum of Modern Art
The Big Slide
The Big Slide
Cady Noland
Metal pole and fittings, plastic phone cord boxes, cotton and nylon flags, walking cane for the blind, wire dishwasher rack, high reach pole, key rings · 1989
Art Institute of Chicago
Muses Drawing 5 (Mnemosyne)
Muses Drawing 5 (Mnemosyne)
Brice Marden
Ink and ink wash on paper · 1989
Museum of Modern Art
Untitled
Untitled
Raymond Pettibon
Brush and black ink and pink wash on off-white wove paper · 1988
Art Institute of Chicago
Wall Drawing #574: Fifteen equal arcs from the midpoint of the left side, with all one-, two-,three-, and four-part combinations of four colors, using color ink washes
Wall Drawing #574: Fifteen equal arcs from the midpoint of the left side, with all one-, two-,three-, and four-part combinations of four colors, using color ink washes
Sol LeWitt
Color ink wash · 1988
Art Institute of Chicago
The Parting of the Ways
The Parting of the Ways
William Steig
Pen and black ink and brush and gray wash on white wove paper · 1988
Art Institute of Chicago
Pluto
Pluto
Lucian Freud
Etching and drypoint, handcolored with gray wash on white wove paper · 1988
Art Institute of Chicago
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