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Artworks

8,609 records · Ash
Medusa #6
Medusa #6
Robert Motherwell
Oil, oil wash, and ink on paper panel on plywood · 1977
Museum of Modern Art
Medusa #7
Medusa #7
Robert Motherwell
Oil, oil wash, and ink on paper panel on plywood · 1977
Museum of Modern Art
Hutch the One Armed Astro-Turf Man With a Defense
Hutch the One Armed Astro-Turf Man With a Defense
H. C. Westermann
AstroTurf, pine, aspen, ash, chestnut, and saplings · 1976
Art Institute of Chicago
Is-Was (Passing)
Is-Was (Passing)
Christopher Wilmarth
Graphite wash and pencil on transparentized paper · 1976
Museum of Modern Art
Is-Was (Deep)
Is-Was (Deep)
Christopher Wilmarth
Graphite wash and pencil on transparentized paper · 1976
Museum of Modern Art
Is-Was (Softly) Detail
Is-Was (Softly) Detail
Christopher Wilmarth
Graphite wash and pencil on transparentized paper · 1976
Museum of Modern Art
Is-Was (Softly)
Is-Was (Softly)
Christopher Wilmarth
Graphite wash and pencil on transparentized paper · 1976
Museum of Modern Art
#117 Rochester
#117 Rochester
Richard M. Margolis
Gelatin silver print (sepia-toned, long exposure with flash) · 1976
Museum of Modern Art
Woman
Woman
Antonius Höckelman
Crayon, wash, and pencil on paper · 1976
Museum of Modern Art
Nude Sitting on a Chair
Nude Sitting on a Chair
Philip Pearlstein
Brush and brown wash on white wove paper · 1975
Art Institute of Chicago
Bore and Victim
Bore and Victim
William Steig
Pen and black ink and brush and gray wash on ivory laid paper · 1975
Art Institute of Chicago
Moldy Fragments
Moldy Fragments
Ed Ruscha
Watercolor and brush and black wash, with powdered graphite, on off-white wove paper · 1975
Art Institute of Chicago
Study for Triphammer Bridge
Study for Triphammer Bridge
Susan Rothenberg
Acrylic, flashe and pencil on paper · 1974
Museum of Modern Art
T.V. - En Concrete
T.V. - En Concrete
Wolf Vostell
Colored ink and wash on paper · 1974
Museum of Modern Art
Untitled
Untitled
Sam Francis
Brush and black ink and gray wash on ivory wove paper · 1973
Art Institute of Chicago
Bird and Diz
Bird and Diz
LeRoy Neiman
Charcoal with stumping and brush and oil wash, heightened with white chalk, on tan wove paper · 1973
Art Institute of Chicago
Black Pope (Sandwich Board Man)
Black Pope (Sandwich Board Man)
Charles White
Oil wash on board · 1973
Museum of Modern Art
Nasielk IV
Nasielk IV
Frank Stella
Ash and varnish · 1972
Art Institute of Chicago
cash (exhaust) (bargold [auspuff]) from Containers
cash (exhaust) (bargold [auspuff]) from Containers
Dieter Roth
Etching with chocolate squashing · 1972
Museum of Modern Art
waterdogs (wasserhunde) from Containers
waterdogs (wasserhunde) from Containers
Dieter Roth
Etching with caper squashing · 1972
Museum of Modern Art
To Grow
To Grow
Virginia Churchill Bath
Linen and rayon, plain weave; pieced and appliquéd with linen, plain and twill weaves; embroidered with wool, linen, and cotton in buttonhole, feather, herringbone, satin, stem and a variety of lace stitches; darned and woven wheels, buttonhole and double buttonhole bars; braid; laid work, couching, and French knots; worked over and embellished by wooden rings and beads, metal rings, washer, and wires, mirrors, cork balls, stones, glass beads, and wooden and plastic strips; backed by cotton and polyester, plain weave; appliquéd with felt · 1970
Art Institute of Chicago
The Sadness in Our Art
The Sadness in Our Art
Gilbert & George
Offset lithograph in black and brush and brown ink wash, with red ink stamp, on cream wove paper with burnt edges · 1970
Art Institute of Chicago
To Be With Art Is All We Ask...
To Be With Art Is All We Ask...
George Passmore
Triptych: Charcoal and wash on partially charred folding sheets of paper in cardboard box · 1970
Museum of Modern Art
Green and White
Green and White
Sandra Blow
Acrylic paint, ash and charcoal on canvas · 1969
Tate
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