Artworks

Wilhelm Lehmbruck

Cast stone on wooden base · 1910

Gilbert Bayes

Bronze and enamel on marble base · 1910

Auguste Lepère

Woodcut from three blocks in water-based colors on cream laid paper · 1901

Auguste Louis Lepère

Woodcut from three blocks in water-based colors on cream laid paper · 1901

Édouard Lantéri

Bronze on marble base · 1901

Edgar Degas

pigmented beeswax, plastiline, metal armature, on wooden base · 1900

Edgar Degas

pigmented beeswax, metal armature, wood?, cork, on wooden base · 1900

Frederick William Pomeroy

Marble on onyx base · 1897

Edgar Degas

pigmented beeswax, metal armature, on wooden base · 1896

Edgar Degas

pigmented beeswax, plastiline, metal armature, cork, on wooden base · 1896

Edward Onslow Ford

Bronze on marble base · 1895

Paul Wayland Bartlett

bronze on marble base · 1895

Paul Gauguin

Wood-block print in black ink, over brush and solvent thinned and selectively applied yellow ocher, reddish-orange and touches of green and pink wax-and resin-based media, on cream wove paper · 1894

Paul Gauguin

Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid down on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Wood-block print in black ink, over brush and solvent thinned and selectively applied ocher, reddish-orange and touches of green wax-and-resin-based media, on cream wove paper · 1894

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over a yellow ink tone block, and transferred golden-yellow, green, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with brush and black ink and diluted yellow printing ink, on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed twice in golden-brown and black inks, with selective wiping of the black ink, over a selectively inked yellow tone block, and transferred deep-yellow, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), with hand-applied dark yellow and brown gouache, on cream Japanese paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]) · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, with selective wiping of the black ink, over a yellow ink tone block, transferred golden-yellow, green, and red-orange, and stenciled red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream wove paper · 1893

Paul Gauguin

Wood-block print, printed twice in yellow ocher and black inks, over yellow ink tone block, and transferred golden-yellow, green, red-orange, and red oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper · 1893

Paul Gauguin

Wood-block print, printed twice in brown and black inks, over a yellow, silver-gray and brownish-orange ink tone block, and transferred yellow, green, red, and orange oil-based media, some containing beeswax and conifer resin (probably pine resin), on ivory Japanese paper, laid down on cream wove card · 1893

Paul Gauguin

Wood-block print, printed twice in pale orange and black ink, over transferred yellow, pink, orange, blue and green oil-based media, with traces of conifer resin (probably pine resin), on cream wove Japanese paper, laid down on cream wove Japanese paper · 1893

Paul Gauguin

Wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan) · 1893

Paul Gauguin

Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card · 1893

Auguste Lepère

Woodcut from four blocks in water-based colors on cream laid paper · 1892