Database / Artworks
Artworks
Half-Length Portrait of Alice Helleu, the Artist's Wife
Paul César Helleu
Red and black chalk, heightened with white pastel and white pastel mixed with red chalk, on cream wove Japanese paper · 1890
Art Institute of Chicago
Vanitas of Venus: Parisian Virtues
Pierre Puvis de Chavannes
Black chalk, heightened with white chalk, on tan tracing paper, laid down on buff wove paper · 1885
Art Institute of Chicago
Interior of a Church
Thomas Couture
Black chalk, heightened with white · 1877
The Metropolitan Museum of Art
Walking Through the Fields
John Linnell
Black chalk, heightened with white chalk, on green-gray wove paper, tipped onto cream wove paper · 1868
Art Institute of Chicago
Objects on Wall, study for Couture, The Bird-Catcher
Thomas Couture
Black chalk, heightened with white chalk, on blue laid paper · 1852
Art Institute of Chicago
Study of Woman's Head
Jean-François Millet
Black chalk, heightened with white chalk, on blue-gray wove paper laid down on cream wove paper · 1843
Art Institute of Chicago
Study for Flax Pulling
Jean-François Millet
Graphite, with black chalk, heightened with white gouache, on ivory laid paper, laid down on cream wove paper · 1842
Art Institute of Chicago
Rocky Scene
Henry Bright
Black chalk, heightened with white gouache, on gray tinted wove paper · 1834
Art Institute of Chicago
Portrait of a Young Man
Wilhelm von Kügelgen
Black chalk, heightened with white chalk, on brown-gray paper · 1822
The Metropolitan Museum of Art
The Assumption of the Virgin
Merry Joseph Blondel
Black chalk, heightened with white, on light brown paper · 1822
The Metropolitan Museum of Art
Study of Drapery
Jean-Baptiste Joseph Wicar
Black chalk, heightened with white, squared in black chalk, on beige paper · 1818
The Metropolitan Museum of Art
View of the Ankl-Alpe and the Schliersee
Johann Georg von Dillis
Black chalk, heightened with white chalk (? partly oxidized) · 1817
The Metropolitan Museum of Art
View of the Ankl-Alpe and the Schliersee
Johann Georg von Dillis
Black chalk, heightened with white chalk (? partly oxidized) · 1817
The Metropolitan Museum of Art
Nude Man Kneeling, Holding Staff (recto); Alpine Panorama (verso)
Thomas Uwins
Black chalk, heightened with white chalk (recto and verso), on gray-brown wove paper · 1802
Art Institute of Chicago
Bonaparte reviving the city of Lyon
Pierre Henri
Pen and brown ink, brush and brown wash, over black chalk, heightened with white gouache · 1800
The Metropolitan Museum of Art
The Denial of Saint Peter
Louis Lafitte
Black chalk, heightened with white · 1790
The Metropolitan Museum of Art
The Last Supper
Louis Lafitte
Black chalk, heightened with white · 1790
The Metropolitan Museum of Art
Coastal View
Thomas Gainsborough
Black chalk, heightened with white chalk, on blue laid paper · 1786
Art Institute of Chicago
Sketch for "Siege of Gibraltar"
John Copley
Black chalk, heightened with white chalk, on blue laid paper · 1785
Art Institute of Chicago
Sketch for "Siege of Gibraltar"
John Singleton Copley
Black chalk, heightened with white chalk, on blue laid paper · 1785
Art Institute of Chicago
View of the Park at Versailles: Women Bathing Beneath a Bridge
Pierre Antoine Mongin
Black chalk, heightened with white chalk, with stumping, on tan wove paper · 1781
Art Institute of Chicago
View of the Park st Versailles: Landscape with Memorial Column and Grove of Trees
Pierre Antoine Mongin
Black chalk, heightened with white chalk, on blue laid paper · 1781
Art Institute of Chicago
Design for a Monumental Vase
Augustin Pajou
Pen, brush and brown and black ink, brush and brown wash, with traces of black chalk, heightened with white gouache, over graphite, on buff laid paper, laid down on cream laid card · 1778
Art Institute of Chicago
Design for a Monumental Vase
Augustin Pajou
Pen, brush and brown and black ink, brush and brown wash, with traces of black chalk, heightened with white gouache, over graphite, on buff laid paper, laid down on cream laid card · 1778
Art Institute of Chicago