Database / Artworks
Artworks
Untitled (Two Figure Studies; Recto), Unititled (Figure Sketch; Verso)
Sylvia Shaw Judson
Black chalk (recto and verso) on buff wove paper · 1917
Art Institute of Chicago
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)
Pierre-Auguste Renoir
Black chalk (recto and verso) on ivory laid paper (discolored to tan) · 1881
Art Institute of Chicago
Sketches of Male Heads (recto); Two Old Women (verso)
Thomas Patch
Black chalk (recto and verso) on ivory laid paper · 1745
Art Institute of Chicago
Sketches of Male Heads (recto); Two Old Women (verso)
Thomas Patch
Black chalk (recto and verso) on ivory laid paper · 1745
Art Institute of Chicago
View of Wilson House and Gardens (recto); View of Wilson House and Gardens (verso)
Richard Wilson
Black chalk (recto and verso) on gray laid paper · 1734
Art Institute of Chicago
Design for a Stage Set: The Gallery of a Magnificent Palace Decorated with Mirrors
Giuseppe Galli Bibiena
Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso) · 1696
The Metropolitan Museum of Art
Design for a Stage Set: The Gallery of a Magnificent Palace Decorated with Mirrors
Giuseppe Galli Bibiena, Italian
Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso) · 1696
The Metropolitan Museum of Art
Five Caricatures of Men (recto); Sketch of Male Figure and Bird (verso)
Faustino Bocchi
Black chalk (recto and verso) on ivory laid paper · 1679
Art Institute of Chicago
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani, Italian
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Spandrel with Two Prophets (recto); Outstretched Right Hand; Two Kneeling Figures (verso)
Simone Pignoni
Pen and brown ink, with brush and brown wash, over black chalk (recto and verso), on ivory laid paper · 1600
Art Institute of Chicago
Spandrel with Two Prophets (recto); Outstretched Right Hand; Two Kneeling Figures (verso)
Simone Pignoni
Pen and brown ink, with brush and brown wash, over black chalk (recto and verso), on ivory laid paper · 1600
Art Institute of Chicago
Draped with Hooded Figure (recto); Two Sketches of Swans in Water (verso)
Anthony van Dyck
Black chalk (recto and verso) on ivory laid paper · 1590
Art Institute of Chicago
Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)
Giacomo Cavedone
Black chalk (recto and verso) · 1577
The Metropolitan Museum of Art
Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)
Giacomo Cavedone, Italian
Black chalk (recto and verso) · 1577
The Metropolitan Museum of Art
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Baccio Bandinelli, Italian
Pen and brown ink, over traces of black chalk (recto and verso), on ivory laid paper · 1498
Art Institute of Chicago
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
Baccio Bandinelli
Pen and brown ink, over traces of black chalk (recto and verso), on ivory laid paper · 1498
Art Institute of Chicago