Database / Artworks
Artworks
Project for a Painted Oblong Ceiling
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown ink, brush and green, gray, and brown wash on paper, lined with white heavy textured paper with lithographed frame and geometric lines in pen and black ink over graphite · 1800
Cooper Hewitt, Smithsonian Design Museum
Project for a Painted Oblong Ceiling
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown ink, brush and brown and gray wash on paper, lined with white heavy textured paper with lithogrphed frame and geometric lines with pen and black ink over graphite · 1800
Cooper Hewitt, Smithsonian Design Museum
Cymon and Iphigenia
James Gillray
Watercolor, pen and black ink over graphite · 1796
The Metropolitan Museum of Art
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman, English
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman, English
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
Pen and black ink over graphite · 1793
The Metropolitan Museum of Art
Three Sketches of a Standing Woman
John Flaxman
pen and black ink over graphite on laid paper · 1790
National Gallery of Art
Seated Man Flanked by Two Reclining Figures; Huddle of Figures in Lower Left Corner
John Flaxman
pen and black ink over graphite on laid paper · 1790
National Gallery of Art
Outside the Salutation Inn, Greenwich
Thomas Rowlandson
Watercolor and pen and black ink and brush and black ink over graphite, on cream wove paper · 1790
Art Institute of Chicago
Wooded Pond with Bathing Figures, Vista of River Bridge, and Farms
Wilhelm Alexander Wolfgang von Kobell
Pen and black ink over graphite, on ivory laid paper · 1786
Art Institute of Chicago
Classical Combat (recto); Sketch of Male Nude (verso)
William Blake
Pen and black ink over graphite (recto), and graphite (verso), on tan laid paper · 1775
Art Institute of Chicago
Bacchanal
John Hamilton Mortimer
pen and black ink over graphite on laid paper · 1770
National Gallery of Art
Amymone (?) with a lecherous satyr
William Hamilton
Pen and black ink over graphite, with watercolor · 1770
The Metropolitan Museum of Art
The Abduction of Deianira
William Hamilton
Pen and black ink over graphite, with watercolor · 1770
The Metropolitan Museum of Art
A Capriccio of Palaces and a Loggia Facing a Classical Bridge
Bernardo Bellotto
pen and black ink over graphite on two joined sheets of laid paper · 1760
National Gallery of Art
Project for the Riding-School of the Horse Guards in Saint Petersburg - Elevation of the Side Entrance
Giacomo Quarenghi
Pen and black ink, brush with black-gray, brown, pink, blue, and ochre wash, over ruled construction lines in graphite. Framing lines in pen and black ink over graphite · 1744
The Metropolitan Museum of Art
Design for a Vase
L.N. Percenet
Pen and black ink over graphite · 1736
The Metropolitan Museum of Art
Landscape with Goats, Goatherd and Ruins
Jan van Huysum
Pen and black ink over graphite, on ivory laid paper · 1702
Art Institute of Chicago
Landscape with Goats, Goatherd and Ruins
Jan van Huysum, Dutch
Pen and black ink over graphite, on ivory laid paper · 1702
Art Institute of Chicago
Landscape with Figure Resting Under Tree by Stream
Jacob van Ruisdael
Pen and black ink over graphite, on tan laid paper · 1648
Art Institute of Chicago