Database / Artworks
Artworks
Wall Drawing #965: Within three adjacent squares, horizontal straight lines 1/4 inch (.625 cm) apart, horizontal not straight lines approximately 1/4 inch (.625 cm) apart, and horizontal broken lines 1/4 inch (.625 cm) apart
Sol LeWitt
Black pencil · 2001
Art Institute of Chicago
Wall Drawing #912 A 12-inch (30 cm) grid covering the walls. Within each 12-inch (30 cm) square, one arc from the corner or the midpoint of one side. (The direction of the arcs and their placement are determined by the draftsman.) First drawn by: Sachiko Cho, Emily Ripley First Installation: Barbara Gladstone Residence, Sag Harbor, NY, June, 1999
Sol LeWitt
White crayon and black pencil grid on gray walls · 1999
Art Institute of Chicago
Wall Drawing #890: Circles, grid, and arcs from four corners and two adjacent sides (ACG 192)
Sol LeWitt
Black pencil · 1998
Art Institute of Chicago
Blue/Black Five-Panel Zone Painting
Robert Mangold
Synthetic polymer paint and black pencil on canvas, five panels · 1998
Museum of Modern Art
Void Space/Hinge Space Housing, Fukuoka, Japan, Exterior perspective
Steven Holl
Watercolor, black pencil, and graphite on paper · 1989
Museum of Modern Art
Untitled (Citibank)
Saul Steinberg
Black pencil, over graphite with erasing, and colored pencil and crayon, ruled in black pencil and graphite, on ivory wove paper · 1986
Art Institute of Chicago
Green/2 Orange X Painting
Robert Mangold
Acrylic and black pencil on canvas · 1983
Art Institute of Chicago
Rain on Hiroshige Bridge II
Saul Steinberg
Pen and black ink, with watercolor, colored pencil and crayon, and rubber stamp in black ink, ruled in black pencil and graphite, on ivory wove paper, folded · 1980
Art Institute of Chicago
Rain on Hiroshige Bridge III
Saul Steinberg
Pen and black ink, with graphite, black and colored pencil, and rubber stamps in black and red ink, ruled in black pencil, on ivory wove paper, folded · 1980
Art Institute of Chicago
Study
Joseph Piccillo
Black pencil and graphite with black crayon on white wove paper · 1977
Art Institute of Chicago
Untitled (Robe)
Jim Dine
Oil paint and oil pastel with black pencil over etching printed in black on white wove paper · 1976
Art Institute of Chicago
Wall Drawing #274: The location of six geometric figures (the specific locations are determined by the draftsman)
Sol LeWitt
Black pencil and crayon · 1975
Art Institute of Chicago
Untitled (Fast Food)
Saul Steinberg
Graphite, with erasing, and black and colored pencil and colored crayon, ruled in graphite and black pencil, on two sheets of ivory wove paper, pieced with linen tape · 1974
Art Institute of Chicago
Bonbon Fabrika
Saul Steinberg
Graphite, with erasing, and pen and black ink, with black and colored pencil and crayon, and masking tape, ruled in black pencil, on ivory wove paper · 1972
Art Institute of Chicago
Wall Drawing #118: 50 randomly placed points connected by straight lines
Sol LeWitt
Black pencil · 1971
Art Institute of Chicago
Wall Drawing #63: A wall is divided into four horizontal parts. In the top row are four equal vertical divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed
Sol LeWitt
Black pencil · 1971
Art Institute of Chicago
Central Symmetrical Diagonal W Series
Robert Mangold
Spray applied gouache and pressure-sensitive, high gloss black tape, over black pencil, on white wove paper, laid down on white wove paper · 1968
Art Institute of Chicago
Untitled
Robert Mangold
Oil and black pencil on hardboard · 1966
Art Institute of Chicago
Biography
Saul Steinberg
Pen and black ink, with watercolor, over graphite with erasing, ruled in black pencil (recto) and pen and black ink (verso) on ivory wove paper · 1965
Art Institute of Chicago
Portrait of René Char
Alberto Giacometti
Graphite with erasing, and traces of black pencil, on ivory wove paper · 1964
Art Institute of Chicago
Untitled (Mask)
Saul Steinberg
Pen and brush and black ink, with black and green crayon, over black pencil, with cut-and-pasted brown and white paper collaged elements, on brown paper bag · 1961
Art Institute of Chicago
Scene 33 (plate, folio 102) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 14 (plate, folio 45) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art
Scene 18 (plate, folio 57) from The Dream of Abu-Said and Wind
Ilya Kabakov
Linoleum cut, printed in color, with blue and black pencil additions · 1957
Museum of Modern Art